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Inside the Fury of Energy Whores’ New Anthem ‘Hey Hey Hate’

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Energy Whores return with a punch in the teeth and a bassline you can’t ignore. ‘Hey Hey Hate’ is no polite plea for unity—it’s a snarling, synth-lashed callout to the festering rot of division. Carrie Schoenfeld leads the charge like a general with glitter in her eyes and venom in her pen, refusing to let complacency drown in the noise of our timeline addictions. This is political pop with teeth, ready to rip through the smoke and mirrors of our so-called discourse.

The production slams—industrial clatter, distorted synths, and a relentless four-to-the-floor pulse that feels halfway between protest march and warehouse rave. It’s the sort of beat that leaves you breathless, demanding movement while Schoenfeld’s vocals carve through with sharp, sardonic clarity. She isn’t here to soothe; she’s here to expose.

What’s striking is how fun it all is. You’re chanting along to a critique of propaganda and hate, and only halfway through do you realise you’ve been tricked into singing your own rebellion. The hooks are big, brash, and sticky as hell—proof that resistance doesn’t need to sound dour. If the world’s on fire, Energy Whores will at least make you dance in the flames.

There’s lineage here too: echoes of Dylan’s barbed folk, the urgency of punk, disco’s hedonism, and the cold steel of electronica. But rather than collage, Energy Whores weld it all together into something distinctly now. It’s agit-pop for an age of doomscrolling, with the volume cranked past maximum.

With ‘Hey Hey Hate’, Energy Whores confirm their place as one of the few acts refusing to dilute their fury for the algorithm. This isn’t just music—it’s a statement, a pulse, a dare. Ignore it at your peril; surrender to it and you might just find yourself shouting louder than before.

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Fanny Alexandra Introduces A New Side Of Her Sound With “Black Pearl Summer”

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Swiss artist Fanny Alexandra returns with “Black Pearl Summer”, a new single that finds her exploring a more open side of her alternative sound. Released via Now Listen, the track combines coastal imagery with a story about growing through grief, pressure and the experiences that can shape a person over time.

Alexandra notes that the song is relatively summery by her own standards. She has said that her music is usually darker and that she has never been particularly drawn to the typical idea of summer, preferring cold air, jackets and rugged coastlines. That gives the release a clear sense of personality from the outset.

The song centres on Alexandra’s reflections on being 19 and spending years focused on survival rather than fully living. Those experiences are presented through the image of a black pearl, which becomes a way of considering how something worthwhile can emerge from a challenging period.

What makes the track particularly effective is the balance between its subject matter and its musical approach. The production gives the song room to breathe, while Alexandra keeps the focus firmly on the story she is telling. It means the track can be enjoyed as a seasonal release while still offering more to discover in the lyrics.

There is also a clear sense of change in the way Alexandra approaches her younger self. The song is not about returning to that period or trying to erase it. Instead, it considers what can be learned from experiences that once felt overwhelming.

“Black Pearl Summer” therefore offers newcomers a useful introduction to Alexandra’s work. It shows an artist comfortable writing about serious subjects, while also demonstrating a lighter musical side that may not be as familiar to listeners who know her darker material.

It is an interesting glimpse of what Alexandra can do when she lets a little more light into the picture.

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