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Jeoff Harris Elevates ‘Cathartic Fall’ with a Poetic and Emotional Re-Release

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Jeoff Harris has once again proven his mastery in blending music with deep emotional narratives in the re-release of Cathartic Falls debut album. Known for crafting RIAA-certified hits that dominate both pop and indie scenes, Harris ventures into even more vulnerable and intimate territory with this project. The re-release is not just a rehash of the original album, but a significant evolution, pushing the boundaries of his creative expression. Harris explores themes of grief, loss, anxiety, and personal growth with renewed intensity.

The most striking addition to the re-release is the integration of spoken word performances. Collaborating with some of today’s most compelling voices in poetry and mental health advocacy, Harris has crafted a project that feels both emotionally raw and thoughtfully constructed. Tracks like “Before The Fall,” “Breathe,” and “Sometimes Words Just Get In The Way” now feature poetic interludes from Whitney Hanson, Allie Michelle, and Trev Cimenski. These poets inject their words into Harris’ ambient soundscapes, creating moments of profound reflection. Matthias J Barker, a noted figure in the mental health space, also adds a powerful layer of psychological depth to the music, making the project not only an artistic endeavor but also an emotional exploration.

The fusion of music and spoken word proves to be more than just an artistic choice—it deepens the connection between listener and artist. Harris’ ambient compositions provide the perfect backdrop for these spoken word passages, enhancing their impact without overshadowing the words. There’s a synergy between sound and speech that invites the listener into an introspective journey, exploring their own emotional experiences alongside those expressed in the album. It’s as though Harris has created a space for the listener to grieve, heal, and grow in tandem with the music.

The spoken word performances, in particular, add a fresh dimension to, Cathartic Fall. The personal nature of the poems, combined with Harris’ atmospheric production, ensures that each track feels both intimate and universal. Listeners are invited to dwell on the words, to sit in the emotional spaces created by the interplay between the music and poetry. This layered approach makes the album feel deeply personal, yet approachable, offering solace to those who may be grappling with similar emotional challenges.

One of the standout moments of this re-release was its live launch event, where the featured poets experienced the completed project for the first time. This collective unveiling, shared with fans and collaborators alike, underscored the collaborative heart of, Cathartic Fall. It’s a testament to the power of art as a shared experience and how music, in particular, can bridge personal emotions with collective understanding.

With this re-release, Jeoff Harris has transformed, Cathartic Fall, from a musical album into an immersive, multi-dimensional experience. By weaving together music, poetry, and mental health advocacy, Harris has crafted a project that not only resonates on an emotional level but also encourages reflection and healing. Fans of Harris’ work will appreciate the emotional growth and sonic depth he brings to this re-imagined album, while new listeners will find themselves captivated by the intimate dialogue between music and words.

In a time where music often feels fleeting, Cathartic Fall, stands as a project that demands to be absorbed, felt, and reflected upon. It’s not just an album—it’s an experience.

Listen here:

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EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

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EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.

The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.

Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.

EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”

EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.

It’s the start of something bold—and we’re already obsessed.

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