We Speak Music
Josh Rifkin ‘Lancaster Road’: A Heartfelt Reflection on Life and Loss
If you’re looking for an album that feels like a warm conversation with an old friend, Josh Rifkin’s Lancaster Road is exactly that. This latest release from the seasoned singer-songwriter is a masterclass in storytelling, blending heartfelt lyrics, rich melodies and a lifetime’s worth of experiences into a cohesive, emotional journey. Whether you’re reflecting on your own life or simply soaking in the music, this album feels like a soundtrack for the soul.
The title track “Lancaster Road,” sets the tone for the whole album. Inspired by a nostalgic drive with his late father, who suffered from Alzheimer’s, the song is as much about loss as it is about cherishing the memories we hold dear. Rifkin’s knack for turning personal experiences into universal truths shines throughout the album. Each song feels like a vignette, covering themes like love, loss and societal reflection without ever veering into cliché territory.
Musically, Lancaster Road is rooted in the timeless singer-songwriter tradition, but it’s layered with soft rock grooves and blue-eyed soul. It’s easy to hear echoes of Rifkin’s past as the frontman of Mumblin Jim, a San Francisco band that shared stages with acts like Cake and Violent Femmes. But this album feels deeply personal as if Rifkin has distilled his decades of musical and life experiences into something uniquely his own.
One of the album’s strengths is its collaborative spirit. Recorded partly in Brazil with Grammy-winning producer Leonardo Marques and a group of South American musicians, the album exudes warmth and depth. Rifkin also brought in a stellar cast of guest vocalists, including Jennifer Souza and Bart Davenport, whose contributions add layers of richness to the already lush soundscapes. Longtime collaborator Keith Armstrong helped refine the album back in Los Angeles, ensuring that every note feels intentional.
What sets Lancaster Road apart is its emotional immediacy. Rifkin’s songwriting is deeply reflective without being overly sentimental. Some tracks heavy topics, but they’re grounded in melodies that feel comforting and familiar. It’s an album that invites you to sit with your emotions, but it doesn’t demand anything from you, it’s just there, like a steady companion.
Rifkin’s career is nothing short of impressive. From being signed by Island Records in the late ’90s to having his solo work featured on shows like The Mindy Project, Friday Night Lights and Parenthood, he’s seen it all. That experience is palpable in Lancaster Road. It’s an album made by someone who’s been through life’s ups and downs and has come out the other side with wisdom to share.
Lancaster Road is an album you’ll want to return to again and again. It’s introspective without being heavy-handed, polished without losing its raw emotional core. Whether you’re drawn in by the storytelling, the collaborations or the music itself, this album offers something for everyone.
If you haven’t already, give Lancaster Road a listen. It’s a journey worth taking.
London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.
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