We Speak Music
Julyo Unveils New Instrumental Album AMARanto
A Musical Journey Across the Mediterranean and South America
Italian multi-platinum guitarist, producer, and bassist Julyo returns with a stunning new instrumental album titled AMARanto, now available on all major streaming platforms. Drawing its name from the Spanish verb “amar” (to love) and the resilient amaranth flower—a symbol of immortality—AMARanto is a deeply emotive collection of original compositions inspired by the diverse cultural landscapes of the Mediterranean and South America.
Each of the album’s eight tracks serves as a musical love letter to a distinct region, weaving together sonic textures that evoke the spirit, rhythm, and beauty of these places. Listeners are invited to embark on a transportive journey—from the sun-drenched shores of Spain and the medieval charm of Italy to the vibrant coasts of Portugal, the mystique of North Africa, and the soul-stirring rhythms of Brazil.
“AMARanto is more than an album—it’s a heartfelt tribute to the timeless connections between cultures, people, and places I’ve encountered,” says Julyo. “Each track carries its own story, shaped by history, geography, and an enduring sense of love.”
AMARanto is released by American Latin record label EQS Música.
TRACKLIST
Andora – Inspired by the coastal town in Liguria, Italy, known for its beaches and medieval castle.
El Far – Pays homage to the Catalan sanctuary Santuari del Far, perched above the Garrotxa region.
Ariana – A sonic portrait of Ariana, Tunisia—a historic gateway north of Tunis.
Annaba – Reflects the ancient port city of Annaba, Algeria, once known as Hippo Regius.
Irmã de São Paulo – A musical bridge between Genoa, Italy, and São Paulo, Brazil, symbolizing shared heritage across oceans.
Aldeia do Bispo – Inspired by a rural village near the Portuguese-Spanish border.
Palma – Captures the Mediterranean pulse of Palma, capital of Spain’s Balearic Islands.
Eddalya – Evokes the coastal village near the Strait of Gibraltar, connecting Morocco to Spain.
In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
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