We Speak Entertainment
The Kardashians Will Go to Court to Challenge Blac Chyna’s Lawsuit Against Them
The Kardashians are challenging the basis of Blac Chyna’s lawsuit against them and asking a judge to toss her case.
Kris Jenner, Kim Kardashian West and Rob Kardashian’s attorneys filed a “demurrer” objecting to and asking for a dismissal of Chyna’s lawsuit against them, in which the mother of two claimed the Kardashians were responsible for E! not moving forward with the planned second season of Rob & Chyna, the former couple’s reality show documenting the birth of their 1-year-old daughter Dream Kardashian.
In the documents filed Dec. 21, the Kardashians allege Chyna, 29, herself prevented the show from filming after receiving a domestic violence restraining order against Rob, 30, in July.
The order prevented Rob from contacting Chyna “either directly or indirectly, in any way” and required him to stay away from her, her home and place of work.
According to the filing, “Given Plaintiff’s conduct in seeking and obtaining a restraining order that required Rob to stay away from Plaintiff and her workplace, no trier of fact could possibly find that it was reasonably probable that a second season of Rob & Chyna would have been picked up and filmed.”

The filing also states that Jenner, 62, and Kardashian West, 37, have a court date Jan. 18 in Los Angeles to present their case for having the lawsuit dropped.
In October, Chyna filed the lawsuit against her ex-fiancé for allegedly damaging her brand and verbally and physically abusing her, which he denied.

The complaint, which asked for unspecified damages, also named Kris Jenner and all of his sisters Kourtney Kardashian, Kim Kardashian West, Khloé Kardashian, Kendall Jenner and Kylie Jenner. The lawsuit was later amended to name only Jenner and Kardashian West, as well as Rob.
We Speak Entertainment
“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude
On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.
Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.
Between the Spotlight and the Shadows
Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.
Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.
Sound as Atmosphere, Silence as Language
Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.
Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.
Tracklist
- showgirl
- movie star
- bayou st. john
- to love is to perform
- candy
- blackbird
- spinster
- a love noir
- costume
- curtain call
A Quietly Powerful Artistic Statement
What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.
There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.
Defining Her Own Space
In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.
With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.
As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.
Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube
For inquiries: jadadilarosa@yahoo.com
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