We Speak Music
Katie Dauson Delivers High-Energy Confidence on ‘Get Ready’
With Get Ready, Katie Dauson continues to refine a musical language rooted in tradition but spoken with contemporary clarity. The Toronto-based songwriter has long demonstrated an intuitive understanding of rock’s lineage, and here she draws from blues, rockabilly, and 70s rock not as fixed references, but as living frameworks. The result is a track that feels grounded rather than nostalgic, energized rather than reverential.
Musically, Get Ready thrives on motion. The rhythm guitar drives forward with a restless confidence, while the harmonica — raw, expressive, and unapologetically present — injects a sense of immediacy. Dauson’s decision to play the harmonica herself lends the track an added layer of authenticity, blurring the line between performer and narrator. There’s an intentional looseness to the arrangement, suggesting a trust in feel over perfection.
Lyrically, the song explores self-doubt not as an obstacle, but as a catalyst. Dauson reframes internal resistance and external skepticism into a challenge, offering confrontation without bitterness. The message is firm yet generous: rise up, do better, move forward. This balance between defiance and optimism gives the song emotional complexity beneath its upbeat exterior.
“I was listening to a lot of 70s rock and roll and rockabilly music, which inspired me to write this song. Originally, there was no harmonica in the track, but after hearing Bob Seger’s Katmandu and his iconic harmonica solos, I knew I had to add them—and play them myself. The song is full of energy, from the vocals to the rhythm guitar and harmonica solos. Lyrically, it’s about self-doubt pushing me to do better, confronting detractors, and challenging them to rise up too. Even with its deeper meaning, I wanted to keep the song positive and upbeat.”
Ultimately, Get Ready succeeds because it refuses to overstate itself. Produced by James Nickle, the track allows Dauson’s musicianship and conviction to take center stage. It’s a reminder that confidence doesn’t require volume alone — sometimes it’s found in clarity, intention, and forward momentum.
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PR: Decent Music PR
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.
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