We Speak Music
Kety Fusco drops ‘BLOW’, the first breath of freedom from her new album
“Both evocative and frightening, triggering brand new emotions that have never been explored before with harp music.”- Wonderland Magazine
“Most compelling is the steampunk techno she creates by treating her wooden harp with hairpins, wax and sticky tape, like a prepared piano, to create percussive effects”- The Guardian
With her second studio album, ‘BOHÈME’, Kety Fusco transforms the harp into an entirely new voice, redefining what this instrument can represent in the contemporary music landscape. This is not just music: it’s a vision. It’s an invitation to explore a sound world that has never existed before.
Every sound in ‘BOHÈME’, which follows acclaim for Kety’s music from BBC 6 Music, The Guardian, Wonderland and more in the UK, originates from the harp, yet nothing is as it seems. Sound manipulations, underwater recordings, and unconventional techniques create a unique musical language, far from traditional boundaries. Among the boldest experiments, Kety literally submerged herself in a pool to record the sounds of the harp underwater, turning the instrument into a medium for narrating the unexpected. This daring approach shines in the opening track, ‘Hi, this is Harp’, a manifesto of sonic avant-garde.
Discovering the harp at just 6 years old, Kety Fusco’s magnetic talent has now taken her to iconic stages such as the Royal Albert Hall, the Montreux Jazz Festival, the Swiss Federal Parliament, and the prestigious Euro Jazz Festival in Mexico. With over 200 concerts worldwide, Kety has redefined the role of the harp, bringing it to the most unexpected contexts: from the Notte della Taranta to the United Nations, and even on a tour of South America for the Swiss Embassies.
An unstoppable composer and creator, Kety has written soundtracks for a film and a documentary set to be released in 2025, as well as composed the theme music for the Rai Radio3 program Voci in Barcaccia. Her original works are a manifesto of artistic freedom, captivating audiences with their fusion of tradition and avant-garde. Her musical journey is authentic and uncompromising, reflecting a deeply personal artistic vision.
In 2024, she served as the Swiss juror for the Eurovision Song Contest, adding another milestone to her path of international excellence. The year 2025 promises to be a year of great achievements: in June, ‘BOHÈME’ will be released, featuring a collaboration with the legendary Iggy Pop, solidifying Kety Fusco as a revolutionary figure in the global music scene.
‘BLOW’ is the first breath of freedom from ‘BOHÈME’. It’s the gust that tousles your hair, shakes the rules, and reminds us who we are when we let go of our masks. This track was born from the desire to shed the weight of expectations, to dive into a wind that carries everything away, leaving only the essential.
With ‘BLOW’, the harp becomes so much more than a traditional instrument: it’s a bridge between the past and the future, between its classical roots and an entirely new dimension. It’s as if the harp, with its millennial history, found the courage to break its own chains and be reborn with a new voice.
“I sought to transform it into something wild and untamed, capable of expressing emotions that transcend tradition, projecting it toward a bolder, unknown future”, says Kety.
This track is not just a song; it’s a feeling: the wind slipping through your fingers, the heartbeat rising in your chest, the burst of light that marks the beginning of something new. ‘BLOW’ is an invitation to challenge boundaries, to leave the past behind without denying it, and to turn it into a force that drives us toward freedom.

We Speak Music
Dysmusia Keeps “In your eyes” Honest, Warm And Straight To The Point
It is easy to see why a songwriter might be drawn to a story like this. Relationships rarely finish as neatly as people would like, and the space between “it is over” and “maybe we should try again” can produce plenty of material. For Dysmusia, that space becomes the setting for latest single “In your eyes”, out now through Now Listen.
The Irish singer-songwriter has a knack for keeping his writing close to everyday life, and this track benefits from that approach. He looks at an old relationship that has already gone through several attempts at making things work, then focuses on what happens when those feelings start creeping back in.
What makes the song appealing is the balance between sincerity and a lighter touch. Dysmusia is clearly invested in the situation, but he does not turn every moment into a grand declaration. There is room for a bit of humour and hesitation along the way, which keeps the song feeling natural.
The arrangement gives the song a pleasing lift. Acoustic guitar sits at the heart of it, with the dropped tuning adding some richness and a second guitar bringing extra colour. The result has folk at its core but carries enough indie-rock influence to give it a little extra punch.
Dysmusia’s Irish background is another part of the picture. Based between Antrim and Dublin and coming from a musical family, he has developed a style that puts storytelling alongside contemporary guitar sounds.
“In your eyes” brings those influences together without making a fuss about them. It is a personable, melodic track about feelings that refuse to follow a neat timetable, delivered with enough warmth to make the story easy to get behind.
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