We Speak Music
Kingdumb Drops New Track “For The Love”
Kingdumb enters a new phase of his creative life with “For The Love” by combining the pulsating vitality of British Garage with his cultural roots. Out now and gracing clubs up and down the UK, this track—the title cut from his EP—hits the ideal mix between emotional resonance and club-ready pace.
This isn’t your usual garage track. Rich textures and subdued hints to his Asian background abound, and they help the creation transcend trends into something distinctly his. The way Kingdumb arranges each drop, synth swell, and vocal chop is deliberate, stacked with both passion and accuracy.
There’s a warmth to “For The Love”—a kind of glowing optimism beneath the skippy drums and crisp bassline. It’s clear that this track is a statement. Having already captured the ears of tastemakers like BBC Asian Network and Spotify’s editorial curators, Kingdumb proves here that he’s not only a music innovator but also a storyteller with heart.
Produced under the wing of Grammy-winning producer James Sanger, the track balances polish with personality. Also, you can feel the growth—Kingdumb isn’t just experimenting here, he’s mastering his sound.
To keep up to date with Kingdumb, be sure to follow him on Instagram here. Also, you can check out “For The Love” below.
EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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