We Speak Events

Literary Artists speak on #HipHopinBooks at the Atlanta’s A3C Hip Hop Festival

Published

8 years ago

October 8, 2017

umeektv

Mike Seabrook/Klarque Garrison

When it comes to Hip Hop and fiction, many often forget the origin and how it impacts our communities. From the likes of a Donald Goines, to Teri Woods, and Ashley and JaQuavis Coleman, our stories have been widespread for decades, impacting millions. This year, the A3C Festival and Conference joined forces with the AAMBC Awards and its origination to produce the Hip Hop in Books panel.

Moderated by Legendary LaQ’uita, the panel featured literary artists such as JaQuavis Coleman and Wahida Clark, who both have dominated the New York Times best sellers list to new age authors, Myss Shan and Booker T. Mattison. The panel also featured AAMBC Awards creator, Tamika Newhouse, who launched the AAMBC platform to advocate for literacy ten years ago.

The panelists spoke on the importance of storytelling and how literary artists contribute to the growth of Hip Hop. When it comes to those types of books, you often think of musical talents and perhaps the songwriter and producers, but the talent, often forgotten about are those who pen novels. With an ever-changing industry, it was much-needed to hear from these talents, and the best part was getting signed books during the wrap-up session.

The AAMBC Literary Awards is a platform that celebrates black books and black writers in a star-studded ceremony each summer. Their partnering with A3C only encourages the mission that we read and that we create! They made reading seem fun, powerfully, and the fact that we can create our stories for millions to read is pretty dope to me.

Check out some images from the Hip Hop in Books panel.

Related Topics:a3c festival black authors black writers booker t mattison books hip hop jaquavis coleman literary tamika newhouse wahida clark

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We Speak Comedy

Caitlin Cook’s Musical Bathroom Odyssey Hits the UK

Published

1 week ago

May 9, 2025

Joni Jones

What do cowboy dicks, milk pistols, and public toilet walls have in common? They all find a strange kind of poetry in The Writing on the Stall, the wildly inventive musical comedy from US performer Caitlin Cook, landing in the UK this summer. After sold-out runs Off-Broadway, at Edinburgh Fringe, and in London, the New York Times Critic’s Pick returns for a short UK tour—playing Brighton’s Komedia (31 May & 1 June) and Soho Theatre, London (4–7 June).

Set entirely in a public bathroom, The Writing on the Stall is anything but private. In this whip-smart and wickedly funny one-woman musical, Cook dives into the scrawled messages and mysterious wisdom etched on cubicle walls and turns them into something bold, bizarre, and unexpectedly moving. The songs are catchy, the jokes are razor-sharp, and the show isn’t afraid to get its hands dirty—literally.

Armed with a guitar and a knack for digging gold out of the obscene, Cook crafts a genre-defying hour that’s part stand-up, part cabaret, and all catharsis. This is confessional comedy with clever hooks, pitch-perfect melodies, and enough surprises to keep your eyebrows permanently raised. Expect satire, sincerity, and some surreal props—rumour has it a pair of slingshotted knickers makes a cameo.

Caitlin Cook isn’t your average musical comic. She’s Oxford-educated, New York-hardened, and streaming in the tens of millions. She’s also collaborated with some of comedy’s finest, directed offbeat hits, and performs as one-half of the musical duo 2/3rds of a Threesome. With this new UK run, she’s not just touring a show—she’s building a movement that blurs the lines between comedy, theatre, and performance art.

If you missed her during her Edinburgh frenzy, this is your chance to catch the musical everyone’s been whispering about in pub toilets and shouting about in five-star reviews. You might come for the laughs, but you’ll stay for the songs that (fair warning) may live rent-free in your head for months.