We Speak Music
Lo-Lifes unite on new Grupo HNE single ft. Thirstin Howl The 3rd
Spanglish Boom-Bap trio Grupo HNE have dropped a new single this morning. “LO Malo” translates to “the bad” and since the track has a guest feature from the legendary polorican himself, Thirstin Howl The 3rd and the group is part of the Lo-Life Miami Family, it’s apparent why the LO is capitalized in the title. Grupo HNE (pronounced Henny) is made up of DJ Exes on the mic, DJ Heron on production and multi-instrumentalist Nando who adds percussion, keyboards and occasional vocals.
Speaking on the track’s creation, Exes relayed “Thirstin picked the beat, which reminded me of a 70’s gangster / spy type movie. I attacked it from the perspective of a trench coat wearing, aviator sunglasses rockin’, cigar smoking salsero, writing an entry in his journal, which will one day be a best-seller. Once my verse was done I sent it off to Thirstin and he bodied it like the beat killer that he is. All that was left was for Nando to lace it with congas to give it that chef’s kiss. The result is …LO Malo.”
Listen to “LO Malo” ft. Thirstin Howl The 3rd:
“LO Malo” comes right on the heels of the group’s recent video combining two of their singles “Black Angels / Big Pictures” which features guest verse/appearances by fellow Miami artists Shottie (on “Black Angels”) and Money Mogly (on “Big Pictures”).
Watch official video for “Black Angels / Big Pictures”: https://youtu.be/Bqlk8TeyHtw?si=y9HykR4T969I-cap
More Info:
https://www.instagram.com/grupo_hne
https://www.instagram.com/dj_heron
We Speak Music
Col Darcy Unveils New Single ‘Pay Up’
Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.
That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.
‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.
The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.
What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.
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