Canadian-born filmmaker, screenwriter, and producer Marisa Milroy is currently in Los Angeles creating a number of projects focused mostly in LGBTQIA+ and mental health concepts for feature and television screenplays, often exploring complex characters in unconventional worlds.

We had the chance to talk to her.

What is the reason behind your specialization in creating screenplays for both Feature and Television that focus on concepts related to LGBTQIA+ and mental health?

My focus is on crafting screenplays for both Feature Films and Television that center around themes related to LGBTQIA+ and mental health. The reason for my specialization is rooted in my inclination towards stories that challenge common beliefs and spark meaningful discussions. Growing up in Canada, Europe, and the United States, I had the privilege of experiencing diverse cultures and observing how these societies address these topics. During my formative years, there were significant social movements advocating for the recognition of LGBTQIA+ and mental health issues, which shaped my desire to contribute to the conversation through storytelling.

As a consumer and avid viewer of film and television, I firmly believe that authentic storytelling is crucial. Connecting with characters or storylines that we can relate to personally is an exceptional experience. I noticed that many representations of addiction or depression in film and television either dramatized or underplayed the true and authentic insidious nature. Thus, I strive to break down stereotypes and create stories that accurately depict the struggles faced by individuals in these communities.

I aim to be a part of the rising movement in the film industry that tells diverse stories and represents underrepresented communities, including the LGBTQIA+ community. As a writer and producer, I want to provide a different perspective and empower individuals who feel like they do not have a voice or representation. I recognize the tremendous influence that film and television have on culture, and I am committed to showcasing authenticity and truth through my work, which allows audiences to connect with the stories and characters.

You came from Canada to study at one of the most prestigious universities for film, The New York Film Academy. Did you learn everything you needed to do what you are doing now or you had to learn along the way?

I am so grateful for my time at the New York Film Academy. It really allowed me to explore who I was as an artist and I was able to take away so many key pieces of information that continue to guide me in my career today. I went to school right when I was 18 and and I didn’t really know what kind of genre I wanted to be as a writer, or even how to write a specific genre. Going to New York Film Academy really strengthened my understanding of what it means to write a screenplay, the technicality, and the business of the film industry. I was so fortunate that all of my teachers at New York Film Academy had worked in the film industry and/or were still working in the film industry. Having their genuine insight and knowledge of how you sell a script, how you pitch a script, how you walk into meetings, etc. was so helpful in understanding not only the craft but what you do with your product. It was definitely very well-rounded in the teaching of the work but also the work behind the work. I was guided to learn how to develop myself as an artist and not only have a body of work, but how to embody my work as well.

I still push myself to continue to learn outside of school. I have continued to watch master classes, and take courses, and make sure that I am in conversation with different mentors throughout the years since I’ve graduated. I have had the opportunity to work at multiple production companies, develop a TV show, and continue to learn on my feet as I go. I feel like in the film industry, It can be one spectacular surprise after spectacular surprise. I’m always meeting new people who are influencing the way that I work and who teach me to utilize what I can bring to the table. I would also say to any screenwriter reading, one of the greatest ways of learning how to write is to read! Read as many screenplays as possible!

You created your own production company. How did you start it?

I had the idea to create my own production company while working under these two very talented business women as they were launching their own.

It was an experience in which I witnessed what went into opening up a production company, what that business really looked like, seeing the work that went into finding a project and hiring writers to then also forming a team. I decided and I wanted to take the chance. At first, I was very intimidated by the process and the technicality but starting the actual production company was really built on just believing that anything is possible and I knew I had to try.

If you could work with any director and any actor, who would they be?

If I could work with any Director, it would be Darren Aronofsky. I absolutely love his films. There’s something new and creative to every film he does. His films all resemble his unique directing, tone, and look, but each film itself is so unique which is what I really love about him.

If I had any actor that I could work with it would be Florence Pugh. I think she is wonderful. She is so transformative and present as an actress. I think it’s absolutely amazing and I just feel like so honored to be able to watch her on screen.

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