We Speak Indie Artist
Get to know indie artist NOCT
Following the release of the track “Everything is Ripe”, we caught up with the London-based indie artist.
– “Everything is Ripe” delves into themes of existential reflection and the pressure to seize youthfulness amidst life’s uncertainties. Can you share more about the personal experiences that inspired this track, and how you hope listeners will connect with its message?
Personally, the song is a culmination of many instances in my life where I was not living in the way I wanted – due to my own fears and uncertainties. It’s easy to get caught up in an idea of how you want your 20s to pan out, only to get disappointed when your expectations don’t play out. I’ve moved across the continent, left my family back home, started new in the UK and left to figure out my *true* ambitions and what I actually enjoy. In that process, a lot of personal incidents happen that leave you feeling uncertain, which ultimately can take you down dark paths. I hope those who listen can find solace in the fact that this said path is always temporary, and most of the time, it’s just your brain adapting to new situations.
– Your music draws from a diverse range of influences, blending 2000s alternative-indie sounds with bossa nova rhythms. How do these eclectic influences shape your creative process, and what do you hope sets your music apart in today’s musical landscape?
To me, it’s like cooking with 20 ingredients rather than 2. You can still create a masterpiece with 2 (for ex, oats and milk) but it tends to be a more nuanced and varied dish with 20 ingredients. Having grown up in a multicultural household, it just subconsciously affects the way I make music. For instance, I admire the way the Brazilians approach percussion in their music, and I find myself borrowing a lot of those elements in my tracks. Today’s musical landscape feels like some artists doing what they can to have a viral moment on social media – and although that is more than fair, I feel like it strips away from the authenticity and intent behind the art. All I hope is that people enjoy my music, and that it sparks something in them to create art that is meaningful for them.
– “Everything is Ripe” marks a significant evolution in your sound and storytelling. Can you tell us about your collaboration with Danny Monk on this track and how it contributed to the overall sonic experience? Additionally, how do you approach songwriting as a deeply personal and therapeutic process?
I’ve collaborated with Danny Monk previously for a band I play guitar in called ‘Paper Anthem’ – he is the primary engineer and has produced some tracks as well. Through that band, I knew that he’d be a good fit for NOCT and Everything is Ripe. Having it recorded and mixed at a studio, rather than my bedroom, made the world of a difference in the quality of the track. We could add more layers without cluttering the mix, thereby granting a more 3-dimensional, sonic experience to the listener. Danny’s input also meant a lot to me, as someone who does this type of thing for a living. It definitely will not be my last collaboration with him.
In terms of approaching songwriting as a therapeutic experience, it’s just one of the many available outlets to ‘let it out’ for me. A lot of people journal, talk to people, or whatever mode they chose. I do those as well, but have found songwriting to be the most effective outlet for me because it’s something I would willingly revisit. It’s not often that I’d wanna go back to a journal entry. With music, you’re automatically brought back to your emotions as you revisit them, which to me is a beautiful thing. It helps me to understand myself.
Photo credit: Jasmine James
We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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