We Speak Music
Marsha Swanson Releases New Song “Like An Angel”

Now out, Marsha Swanson’s most recent track, “Like An Angel,” has already started to stir among listeners of progressive pop. Released on January 31, 2025, the song, which offers a very personal experience, honours the one-year anniversary of her album “Near Life Experience” which came out in 2024.
The track was originally an untitled ghost track from the album and it has been re-recorded with a live band and a string section, bringing a new level of emotional depth. It was produced at Echo Zoo Studios by Henry (King Thumb) Thomas, whose credits include Randy Crawford and Paul Weller, the track blends the ethereal beauty of the original with a fresh, dynamic arrangement. The lineup of talented musicians—Martyn Barker (drums), Tony Qunta (guitar), and Anders Olinder (keyboards)—adds to its lush, atmospheric sound.
Inspired by those who have departed but still lead us, in life “Like An Angel” pushes into themes of love, acceptance, and remembrance accompanied by a visually spectacular video filmed by award-winning filmmaker Sam Chegini. Comparisons to the work of Kate Bush and Tori Amos help one to really relate to the spiritual and cinematic sense of the song.
Having already reached the semi-finals of the UK Songwriting Contest, “Like An Angel” reinforces Swanson’s reputation for insightful lyricism and compelling compositions. With continued airplay and critical acclaim, the single stands as a powerful testament to her artistry—a gift to listeners and a celebration of the album’s lasting impact.
We Speak Music
EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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