We Speak Music

Mathis Akengin creates stunning suspended atmospheres with new single ‘Mer d’hiver’

Published

6 months ago

October 2, 2025

Don Reed

There are seas that no longer make waves. In his new single ‘Mer d’hiver’, Mathis Akengin lends his voice to that very sea, joined by the delicate voice of Claire Passard. A winter sea slowed down, dense, almost frozen, where everything seems to be holding its breath. In winter, the sea becomes a metaphor for suspended time, for life slowed down, for what seems asleep yet continues, silently, to transform.

An old sailor whispers: ‘As-tu vu passer l’orage?’ (Did you see the storm pass by?), the question lingers, simple yet devastating. Did we notice the moment when everything shifted? Was it already too late? The piece moves with restraint, between silences and resonances, like a memory one hardly dares to touch.

At the age when his peers were learning to read and write, Mathis Akengin discovered a passion for a different form of expression: the piano. Like many early talents—often referred to as ‘prodigies’ due to their rarity—the young musician entered the Conservatory at the age of six, where he would study for fifteen years, later adding a stint at the Haute Ecole de Musique in Lausanne. His exemplary path confirmed his natural talent.

However, the youngling from Franche-Comté (France) didn’t want to limit himself to classical music. Contemporary music quickly caught his attention. At the age of twelve, he formed his first band and started his first tours. Little did he know that, a few years later, he would join the blues-rock duo Catfish, a band he had once opened for. Projects multiplied. By the age of twenty-five, his list of collaborations was already impressive. Mathis’ keyboards, both in the studio and live, resonate in a variety of formations with sounds ranging from Dead Chic (rock), Eméa (world-soul), Alexandrie (pop), to Neptune Quartet (oriental jazz). Eclectic, Mathis is also a versatile artist. He’s often sought after to arrange albums, always finding new ways to develop his creativity and skills.

With all these experiences under his belt, Mathis began to envision a solo project where he could create freely, experiment, and tell the stories running through his mind. The idea became a reality: it all starts with the piano, moving towards rhythmic taps on the wooden frame in sync the melodies. The piano became both the instrument and the muse. It was no longer about telling stories through it but writing for it. Mathis transcribes oriental music for this European instrument, blending his French and Turkish roots. The inspiration flowed, and an album gradually took form.

‘Mer d’hiver’ is the first taster of the record. It’s about what gently fades away: traces, voices, bonds. Nothing is eternal. Emotion is born within this fragility. A bare piano, a veiled horizon, a fragment of life frozen in time. The piece is built around motifs, mechanical cogs that evoke the workings of a ship, leaving space for breath, for stillness. The piano, deliberately restrained, creates a suspended atmosphere, almost fixed within cold waters. The percussion on the track is crafted with Mathis’ technique of recording the piano as a percussive instrument which guides us through the fog. Claire Passard’s airy voice slips in with delicacy, heightening this suspended atmosphere. And suddenly, the storm breaks, before we even see it coming…

We Speak Hip-Hop

NY Rapper Kendu 718 Defines “Gritty” (Single & Exclusive Interview)

Published

10 hours ago

April 14, 2026

MJ Savino

Kendu 718 is taking over the scene with his latest single “Gritty,” produced by Juxx Diamondz of Back Block Music Group LLC. The NY rapper shows off his signature blend of storytelling and lyricism woven with slick metaphors. He’s simply writing bars and putting out heat; his deliverance though is aggressive and slightly intimidating; true NY style. Stream “Gritty” and get to know Kendu 718 in the interview below.

MJ: Before we jump into your new single “Gritty,” take a moment to let the world know who Kendu 718 is.

Kendu 718: Kendu 718 is someone who really lives what he talks about. I come from the pain of the ghetto—both my mother and father struggled with drug addiction, and growing up, all I saw was crime, poverty, and hardship. That was my environment. But through God’s grace, I was able to change my life. I left the streets behind 17 years ago, and I’ve been clean and abstinent from drugs and alcohol ever since.

MJ: When I think of gritty New York Hip Hop, you fit the mark. Define your lane in Hip Hop.

Kendu 718: I’m part of the culture, this isn’t something I picked up, it’s something I’ve lived. Hip-hop is a lifestyle, not just something you do in the studio. I’m not chasing trends or trying to fit into what’s popular. I represent authenticity, experience, and real New York energy. I’ve been doing this for years, and my lane is staying true to the essence of the culture.

MJ: Let’s talk about the new single “Gritty.” What can listeners expect once they hit play?

Kendu 718: The truth. Straight up. Real-life stories that reflect what I’ve been through and what I’ve seen in the streets. It’s raw, it’s honest, and it shows survival. When you hit play, you’re stepping into reality—no gimmicks, no filters. “Gritty” is my story. It’s everything I lived and everything I witnessed. But more importantly, it’s a message—just because we come from struggle doesn’t mean we have to stay there. We can grow, change, and build responsible, productive lives.

MJ: How did you link up with Juxx Diamondz and Back Block Music Group LLC?

Kendu 718: That connection goes back. I met Juxx through a mutual friend—rest in peace to the OG Benny Hill from Harlem, who managed both of us around 2011–2012. That foundation built real chemistry, and from there, everything developed naturally.

MJ: Can audiences anticipate a visual to “Gritty?”

Kendu 718: Definitely. Me and Juxx Diamondz are currently putting the treatment together now. The visual is going to match the energy of the track—raw, authentic, and true to the story.

MJ: What is next for Kendu 718? What are you currently working on?

Kendu 718: Right now, I’m working on my EP titled From God’s Mouth to Y’all Ears: The Sermon. It’s produced by myself and Juxx Diamondz, with additional production from SaulyOBeats, SkullzAngels, and my guy Dreadful Krueger. Everybody brought heat to the project. We also have some dope features on it.

MJ: Give audiences a little more insight into the sound and movement behind the project.

Kendu 718: We’re putting this out independently through Back Block Music Group, with distribution through Roc Nation. The project is a combination of strong lyricism, real-life storytelling, and powerful features. We represent that golden era sound—we’re keeping that foundation alive. And we’re always boots on the ground, staying connected to the people and the culture.

MJ: Let everyone know where they can find your music and stay connected.

Kendu 718: You can find my music on all digital streaming platforms. Follow me @Kendu_718 on Instagram to stay locked in. This is just the beginning—it’s going to be a hot summer. Peace.