We Speak Music
Messiah Of Madness drops Big Jerm produced “Crown Royal Bag”
Grime-Boss The Messiah Of Madness returns with a new video / new single! “Crown Royal Bag” is some next-level horrorcore with no lyrical filter from the heartless and homicidal artist. Most concerningly is that the artist claims some of these situations are true stories. The animated video also reaffirms this is nobody you want to cross paths with as he disassembles opps while on a mission. “Crown Royal Bag” was produced by “Steeltown” (aka Pittsburgh, PA) legend Big Jerm, who has also laced tracks for Mac Miller, Wiz Khalifa and Snoop Dogg.
The track is taken from the recently released EP You Already Know (out now Dominion Hill Records). Besides “Crown Royal Bag” the rest of the EP is self-produced by The Messiah Of Madness producer alter-ego Tone Fultz. In this guise he is equally adept at creating the type of raucous instrumentals that made Wu-Tang and Mobb Deep touchstones of the 1990’s.
This is the first new Messiah Of Madness since last year’s Monstrosity LP (Global Sounds/MNRK) but prior to that was a twelve year break between 2011’s The Ordeal LP and Monstrosity. This was mostly due to Tone Fultz keeping busy on the production side. Some of his recent work includes “Get On Your Knees” the new single from Wu-Tang / Theodore Unit affiliate Solomon Childs.
EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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