We Speak Music
My Side of Paradise Deliver Superb Single ‘All My Exes’ ft. Jaret Reddick
My Side of Paradise have long occupied the sweet spot between nostalgic emo revival and contemporary pop-rock, and their new single, “All My Exes” (feat. Jaret Reddick), proves they’re far from resting on past glories. Emerging from years of touring with their cover project Emo Kids, the band has cultivated a sound that blends emotional honesty with catchy, cinematic choruses, making them one of the more versatile acts in today’s alternative scene.
The single pivots sharply from their heavier offerings like I’ve Got Time and Roulette, embracing a playful, self-aware pop-punk aesthetic. Its lyrics tackle the oft-ignored truth of heartbreak: sometimes, we’re the problem. That candid approach is rare in a genre still steeped in melodrama, and it gives the track an unexpected layer of relatability and charm.
Jaret Reddick’s guest vocals are the perfect complement, injecting the track with the kind of pop-punk charisma that first defined the early 2000s. His presence elevates the song from a clever throwback to a fully realized, collaborative statement, bridging generational gaps within the scene.
Sonically, the track balances tongue-in-cheek humor with polished instrumentation, threading bright guitars, driving percussion, and cinematic flourishes that never feel overproduced. It’s a sound that feels both immediate and enduring, capable of appealing to listeners discovering emo for the first time as well as diehards nostalgic for the scene’s heyday.
With “All My Exes”, My Side of Paradise confirm their role as thoughtful yet adventurous practitioners of the emo revival, capable of tackling introspection, nostalgia, and humor with equal skill. The single is a compelling reminder that modern pop-punk still has room for wit, sincerity, and emotional depth.
Nostalgia is a powerful force in popular music, but for The Overtones it has never been the whole story. Their affection for classic vocal harmony, vintage glamour and timeless songwriting is balanced by an appetite for reinvention that has kept the group moving forward for 15 years. Their latest announcement, Jivin’ Home For Christmas, brings that philosophy into the festive season with 22 performances across the UK.
The quartet of Jay James, Mike Crawshaw, Mark Franks and Darren Everest have accumulated an impressive catalogue of achievements during their career. Six Top 10 albums, multi-platinum sales, 15 sold-out UK tours and major television appearances have established a formidable commercial record. More importantly, their live reputation has given them a longevity that extends beyond the recording studio, with audiences returning for the distinctive blend of music, movement and theatrical presentation.
That evolution can be seen particularly clearly in the individual lives of the four performers. Mark Franks continues to work as a dance music producer and remixer, while Mike Crawshaw has developed interests in acting and theatre production. Jay James combines his work with The Overtones with music management and creative direction, while Darren Everest remains involved in artist management and his own fashion enterprise. Their careers outside the group enrich rather than compete with the identity they have built together.
The future is equally important. The Overtones are currently creating original music with Grammy and Ivor Novello Award-winning songwriter and producer Eliot Kennedy. The collaboration suggests an ambition to build on the group’s established sound rather than simply revisit it. Their recent headline appearance in Jukebox Idols, a 29-date production combining music and dance, also demonstrated their ability to embrace new creative environments while retaining the qualities that audiences know and love.
That balance of heritage and ambition makes Jivin’ Home For Christmas particularly timely. The tour opens at Whitley Bay’s Playhouse on November 7 and reaches Eastbourne’s Congress Theatre on December 17, with stops across England and Scotland along the way. For longtime followers it will offer the familiarity of The Overtones at their festive best, while the promise of new songs points towards a group that is not looking backwards, but preparing for its next era.
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