We Speak Music
Natasha Bianca ‘SHE’: A New Soundtrack for Empowerment

The music world has a new name on its lips, and it’s Natasha Bianca. The rising star has burst onto the scene with her highly anticipated debut EP, SHE—a project that is already making waves not just as music, but as a powerful manifesto for modern femininity. Known for her soulful voice and captivating performances, Natasha brings every ounce of her passion, vision, and determination to, SHE, an eight-track exploration of self-discovery, resilience, and unapologetic strength.
For Natasha, SHE, is more than a collection of songs; it’s a journey. This EP has been in the works for years, during which Natasha poured herself into every lyric, every melody, every beat. Each song is a testament to her own experiences and the stories of countless women she’s met and been inspired by along the way. The result is a deeply personal yet universal album that resonates with anyone who’s ever felt underestimated, overlooked, or boxed in by societal expectations. SHE, tackles themes that are all too familiar to many—overcoming self-doubt, breaking free from limiting beliefs, and embracing true identity.
From the beginning, each track is bold, empowering, and filled with Natasha’s unmistakable energy, setting a high bar for the rest of the EP. Perhaps the most striking thing about SHE is how Natasha Bianca seamlessly blends the infectious hooks of pop with the soulful depth of R&B. Her voice is at once powerful and tender, giving each song a unique texture that draws listeners in from the first note. With, SHE, Natasha manages to capture the essence of both genres while crafting a sound that feels fresh, distinct, and entirely her own. Her genre-bending approach invites a wide range of listeners, while the EP’s unifying theme—of women’s strength and self-worth—binds it all together.
In addition to its musical brilliance, SHE, carries a profound social message. Natasha has made it clear that this project is her way of pushing back against the “boys club” mentality that still permeates much of the industry and society at large. Natasha’s commitment to using her platform for change shines through every track, making, SHE, not just an album, but a bold declaration of her purpose as an artist.
With, SHE, Natasha Bianca has accomplished something rare—an EP that not only entertains but inspires, uplifts, and challenges the listener to see themselves in a new light. This isn’t just music to play in the background; it’s a soundtrack for anyone on their own path to empowerment. In, SHE, Natasha has created a space where strength and vulnerability coexist beautifully, and where listeners are invited to embrace both. As she steps onto the global stage, Natasha Bianca’s voice promises to be one that resonates far and wide, igniting change one song at a time.
We Speak Music
Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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