We Speak Music
Natasha Bianca ‘SHE’: A New Soundtrack for Empowerment

The music world has a new name on its lips, and it’s Natasha Bianca. The rising star has burst onto the scene with her highly anticipated debut EP, SHE—a project that is already making waves not just as music, but as a powerful manifesto for modern femininity. Known for her soulful voice and captivating performances, Natasha brings every ounce of her passion, vision, and determination to, SHE, an eight-track exploration of self-discovery, resilience, and unapologetic strength.
For Natasha, SHE, is more than a collection of songs; it’s a journey. This EP has been in the works for years, during which Natasha poured herself into every lyric, every melody, every beat. Each song is a testament to her own experiences and the stories of countless women she’s met and been inspired by along the way. The result is a deeply personal yet universal album that resonates with anyone who’s ever felt underestimated, overlooked, or boxed in by societal expectations. SHE, tackles themes that are all too familiar to many—overcoming self-doubt, breaking free from limiting beliefs, and embracing true identity.
From the beginning, each track is bold, empowering, and filled with Natasha’s unmistakable energy, setting a high bar for the rest of the EP. Perhaps the most striking thing about SHE is how Natasha Bianca seamlessly blends the infectious hooks of pop with the soulful depth of R&B. Her voice is at once powerful and tender, giving each song a unique texture that draws listeners in from the first note. With, SHE, Natasha manages to capture the essence of both genres while crafting a sound that feels fresh, distinct, and entirely her own. Her genre-bending approach invites a wide range of listeners, while the EP’s unifying theme—of women’s strength and self-worth—binds it all together.
In addition to its musical brilliance, SHE, carries a profound social message. Natasha has made it clear that this project is her way of pushing back against the “boys club” mentality that still permeates much of the industry and society at large. Natasha’s commitment to using her platform for change shines through every track, making, SHE, not just an album, but a bold declaration of her purpose as an artist.
With, SHE, Natasha Bianca has accomplished something rare—an EP that not only entertains but inspires, uplifts, and challenges the listener to see themselves in a new light. This isn’t just music to play in the background; it’s a soundtrack for anyone on their own path to empowerment. In, SHE, Natasha has created a space where strength and vulnerability coexist beautifully, and where listeners are invited to embrace both. As she steps onto the global stage, Natasha Bianca’s voice promises to be one that resonates far and wide, igniting change one song at a time.
We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.
Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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