We Speak Music
Nathan Bryce and Loaded Dice Release “Gone Since Texas”
Nathan Bryce and Loaded Dice have released “Gone Since Texas” and the setup alone grabbed me. An email between Bryce and Crockett. A dragonfly pin. A Texas show where someone was already leaving before they actually left. That’s the real story here, and the song doesn’t waste energy pretending it’s anything bigger or more dramatic than what it is. One person still in the moment while the other is already gone. That disconnect, that awful asymmetry of heartbreak, is what makes this track work.
Crockett wrote the lyrics on a flight, and you can feel that immediacy in every line. She nailed how it actually feels when you realize the ending started way before either person said it out loud. “I’m in misery, while she’s in Missouri” hits exactly right because it’s specific and plain and true. No flourish needed.
The music lets the story breathe. Bryce’s vocals have this restrained quality that matters more than anything showy would. The guitar work pulls from blues and Southern rock but never overstates the moment. It’s the kind of arrangement that trusts the song to land, and it does. Everything feels earned because nothing is forced.
After spending years on high-energy blues-driven material, Bryce and Loaded Dice have clearly found something deeper in their writing. They’re not abandoning what made their live shows work, but they’re bringing real emotional weight to it now. “Gone Since Texas” proves they can do both at once. It’s a song that matters because it came from somewhere true, and they didn’t mess it up by trying too hard.
Listen to it in full here.
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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