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NJ’s own Zach Kyle drops new single/new album

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Emcee Zach Kyle brings it back with the release of his new single “Nostalgia.”  The young NY transplant takes us on a dream-like train-of-thought narrative coupled with a shifting soundscape (produced by Ray Janes) of ghostly keys and bombastic drums.

Taken from the #SWAG LP (Out on Oct 10th) Kyle said of the project “the concept of the album is me trying to find a balance between my current life in New York City versus my upbringing in suburban New Jersey. The first few tracks are more ignorant and turnt because I feel that’s who I turn into when I hit the city; A more “swagged out” version of myself, whereas my life in Jersey feels a lot more ‘real.’

Speaking on the track he added “‘Nostalgia’ serves as a turning point in the album, where the music starts to become more personal and representative of my Jersey life. Throughout this track, I’m using more obscure, yet deeply personal imagery to represent the beginning of me opening up to the listener. There’s a lot of references throughout the track to things that are nostalgic to me, such as trips to the Hamptons with my friends, memories with girls, but the main point of nostalgia being touched on is summer camp. Growing up as one of the only black kids in my very white and very suburban town, summer camp was the first place I felt in my life I was truly free to express myself without any judgement and be accepted with open arms. I wanted to make a song that felt like that feeling of being there and being young and energetic and excited to start your day.”

Though barely out of his teens, Zach Kyle has extensive first-hand history with hip-hop partly due to proximity to his father, DJ Jay-Ef whose creative friends include Masta Ace, Wordsworth & Planet Asia.  Over the past few years Kyle has been prolific releasing two previous albums, Autonomy and Shangri-La as well as several EP’s and numerous singles.

More Info:   https://www.instagram.com/zachkyle/ 

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Col Darcy Unveils New Single ‘Pay Up’

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Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.

That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.

‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.

The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.

What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.

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