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North$ide Dro + The Supervisor drop “Step Back” single

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Cambridge, MA boom-bap collective, The Hairline Brothers (HLB) warn suckers to “Step Back.”  New single pairs the duo (producer / emcee North$ide Dro and emcee The Supervisor) with Hi-Speed Network label boss / rhyme-vet King Author.  The result is a funky backed instrumental for the trio to crack over, aiming lyrical vitriol at your speakers.

Stream/Purchase “Step Back” ft. King Author: https://distrokid.com/hyperfollow/hairlinebrothersthesupervisornorthidedro/step-back-feat-king-author 

With a shared history going back to kindergarten, life-long friends / hip-hop fiends North$ide and The Supervisor have been active participants in the Boston music scene since the golden 90’s era.  “Step Back” is taken from their newly released debut EP as The Hairline Brothers entitled Restoration Process.

Speaking on the formation of HLB, The Supervisor said “we’ve been making music together since we started rappin’ and he (North$ide Dro) produced on most of my solo projects.  We’re bringing our own brand of ignorance with lyrics and delivery that only comes after years of practice.”  

The Restoration Process comes on the heels of The Supervisor’s PBS project (with Dephrase) and breakout single “CASH.UP.FRONT” also with King Author (Produced by Loman) as well as Dro’s first full-length album as a solo artist, Revenue.

More Info: https://www.instagram.com/hairlinebrothers/

https://distrokid.com/hyperfollow/hairlinebrothersthesupervisornorthidedro/step-back-feat-king-author

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Concrete Club Pull Off Something Special on “People Like Us”

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Concrete Club

Concrete Club have always had that thing going on where they’re pulling from post-punk and indie rock without sounding like they’re trying to prove anything. This track takes that further. The synths sit in a way that makes you listen, and there’s this rhythm that just locks in and makes you want to move without thinking about it. It’s the kind of song structure that works on you after a few listens, not just the first time through.

What I’ve noticed about Concrete Club is that they’re not interested in smoothing out the rough parts. They’ve been grinding the Manchester circuit, building an actual following, and their songs aren’t about sounding polished. They’re about real things: what it’s like living in a city, losing track of time on nights out, trying to find something that makes sense when nothing does. “People Like Us” fits right into that.

Rowetta’s featured spot here is the thing that makes it work. Her voice against Jonny Brewster’s, with Kallum Delf on guitar, Mark Demuth holding down the bass, and Jamie Butterworth on drums, it all just clicks. They brought in Jonny McGill to handle the drums on this one, and you can feel the fresh energy that brought, but it still sounds unmistakably like them.

This is a song that gets better the more you sit with it. If you’ve been sleeping on Concrete Club, this is the one to start with. Listen here.

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