We Speak Music
On ‘Rewind’, Gogo Finds Clarity in the Blur

Rewind is the kind of project that sounds like it was made in a room where no one was watching — and that’s exactly why it hits. Gogo, a Stockholm-born artist, builds his four-track EP from splinters of R&B, alt-pop, soul, and rock, stitching them together with emotional candor and a cinematic eye.
This is music that resists neat packaging. Where a lesser artist might lean into high-gloss production to patch over vulnerability, Gogo amplifies it. On “Cut Me Down,” he lets the cracks show — both in his voice and the production. It’s raw in a way that feels lived-in, not engineered.
There’s a duality to Rewind: it’s personal but expansive, fragile yet fully realized. The lyrics read like journal entries written after long nights of overthinking — “In Too Deep” especially feels like it was recorded under the weight of unspoken thoughts. The arrangements are sparse but immersive, often leaving space for silence to do the talking.
Gogo’s artistic philosophy — one of zero compromise — is baked into the DNA of this EP. He’s been open about rejecting the trend of artists becoming content creators first and musicians second. That resistance shows. Rewind doesn’t chase a hook; it builds slowly, deliberately. Sometimes too slowly. The EP’s pacing can feel like it drifts, particularly for listeners expecting clear-cut structure or resolution.
But that’s the point. Rewind isn’t a neatly tied emotional arc — it’s a snapshot of someone still running, still figuring it out. It doesn’t offer closure, only confrontation. And in that confrontation, there’s beauty.
With plans to expand Rewind into a full-length film, Gogo is positioning himself not just as a musician, but as a world-builder — someone more concerned with meaning than metrics. In a time when music often feels disposable, Rewind lingers.
We Speak Music
Author Camari Knox Releases Debut Poetry Book The Silence of Snow Is So Loudly Deafening

A Stirring Exploration of Trauma, Introspection, and the Unquiet Mind
Author Camari Knox announces the release of her debut poetry collection, The Silence of Snow Is So Loudly Deafening—a hauntingly lyrical examination of identity, psychological trauma, and the relentless pursuit of inner clarity. Self-published and unapologetically raw, this collection is a resonant testament to the quiet chaos that often lives within us.
Crafted over two decades of self-examination, the book offers readers a mirror rather than a map—revealing that perhaps there was never a question needing to be answered in the first place. With intimate, piercing verses, Knox invites readers to walk the blurred lines between silence and noise, truth and repression, reflection and resistance.
“For those who tough love never really worked for. For those who sentimental words of encouragement made them feel uneasy. For those whose only wish is to find someone, something, some words that alleviate every grievance their body has taken on.”

Camari Knox is a self-published author and emerging literary voice with a deep-rooted interest in the complexities of the human experience. Inspired by poets, novelists, and philosophical thinkers, her work balances analytical depth with emotional sensitivity. The Silence of Snow Is So Loudly Deafening draws from her own journey through psychological trauma, offering poetry that is both deeply personal and universally relatable.
With this debut, Knox establishes herself as a fresh voice in contemporary poetry—one that doesn’t seek to provide comfort, but rather companionship through the discomfort. Her words do not simply speak; they echo, resonate, and, at times, pierce.
The Silence of Snow Is So Loudly Deafening is now available through Amazon, Good Reads
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