We Speak Music
Planetary Group & Impressive PR Present: The Next Wave
There’s always one room at The Great Escape where the queue spills onto the pavement long before the first note rings out. One room where label scouts hover at the bar, where exhausted delegates suddenly rediscover their energy, and where the next six months of alternative music discourse quietly begins. This year, that room is once again the Secret Comedy Club in Brighton, as Planetary Group and Impressive PR return with Alternative Escape 2026 — an official Alternative Escape showcase running across two stacked sessions on Thursday 14th May. Taking over the intimate Brighton venue from 12pm–4pm and again from 6pm–10pm, the showcase has evolved into one of the festival’s most trusted launchpads for future cult heroes.
Now entering its third year, the event has built a reputation for balancing raw discovery with genuine curation. Planetary Group’s transatlantic reputation for breaking emerging artists into North America collides neatly with Impressive PR’s longstanding influence across the UK indie and alternative underground, creating a line-up that feels less like industry guesswork and more like a snapshot of where guitar music, leftfield pop and experimental sounds are heading next. This year’s bill stretches across Australia, Canada and the UK, threading together rising names already gathering serious momentum. Australian trio Fool Nelson arrive in Brighton carrying the buzz of sold-out hometown shows and BBC Radio 1 support, while Montreal experimentalists Yoo Doo Right promise towering post-rock intensity that feels tailor-made for a darkened club room. Elsewhere, Joan & The Giants bring emotionally charged alt-pop catharsis, while Winnipeg dream-pop newcomers sundayclub lean into cinematic nostalgia and shimmering vulnerability.
The evening session pivots into something louder, stranger and more volatile. Welsh trio CHROMA continue their ascent as one of the UK’s sharpest political punk bands, armed with the blistering edge of forthcoming album 25 Forever, while Brighton art-pop institution My Life Story deliver what promises to be one of the week’s most intimate and emotional performances ahead of Jake Shillingford’s 60th birthday celebrations. Manchester garage-punk firestarters The Sick Fix add a dose of teenage chaos to proceedings, joined by Sheffield songwriter Sam Scherdel’s widescreen indie-rock ambition and SONNY E.’s gloriously futuristic ‘Cyberbilly’ hybrid. Closing the night are London’s Sweet Unrest, whose self-described ‘Gritpop’ has already transformed Camden sweatboxes into word-of-mouth phenomena.
One of the event’s biggest talking points arrives via a late addition to the line-up. Canadian goth-punk twins Bonnie Trash have stepped into the bill as very special guests, bringing with them the haunted grandeur of recent album Mourning You. The duo’s blend of post-punk austerity and cinematic horror has already earned praise from Metal Hammer, Guitar World and The Line of Best Fit, while their immersive live sets have quietly become one of underground rock’s best-kept secrets. Their inclusion sharpens the showcase’s identity even further: Alternative Escape isn’t interested in chasing trends so much as documenting the artists operating entirely in their own worlds.
At a festival increasingly saturated with competing showcases and endless schedules, Alternative Escape continues to thrive because it feels genuinely communal. It’s the rare Great Escape event where emerging artists, journalists, promoters and fans all collide without pretence — a room driven by instinct rather than algorithms. Across one long Brighton day, Planetary Group and Impressive PR are once again betting on artists with something urgent to say, and if previous years are anything to go by, a handful of these names will return to the festival circuit next year playing rooms ten times the size.
We Speak Music
Fanny Alexandra Introduces A New Side Of Her Sound With “Black Pearl Summer”
Swiss artist Fanny Alexandra returns with “Black Pearl Summer”, a new single that finds her exploring a more open side of her alternative sound. Released via Now Listen, the track combines coastal imagery with a story about growing through grief, pressure and the experiences that can shape a person over time.
Alexandra notes that the song is relatively summery by her own standards. She has said that her music is usually darker and that she has never been particularly drawn to the typical idea of summer, preferring cold air, jackets and rugged coastlines. That gives the release a clear sense of personality from the outset.
The song centres on Alexandra’s reflections on being 19 and spending years focused on survival rather than fully living. Those experiences are presented through the image of a black pearl, which becomes a way of considering how something worthwhile can emerge from a challenging period.
What makes the track particularly effective is the balance between its subject matter and its musical approach. The production gives the song room to breathe, while Alexandra keeps the focus firmly on the story she is telling. It means the track can be enjoyed as a seasonal release while still offering more to discover in the lyrics.
There is also a clear sense of change in the way Alexandra approaches her younger self. The song is not about returning to that period or trying to erase it. Instead, it considers what can be learned from experiences that once felt overwhelming.
“Black Pearl Summer” therefore offers newcomers a useful introduction to Alexandra’s work. It shows an artist comfortable writing about serious subjects, while also demonstrating a lighter musical side that may not be as familiar to listeners who know her darker material.
It is an interesting glimpse of what Alexandra can do when she lets a little more light into the picture.
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