We Speak Music
Planetary Group & Impressive PR Present: The Next Wave
There’s always one room at The Great Escape where the queue spills onto the pavement long before the first note rings out. One room where label scouts hover at the bar, where exhausted delegates suddenly rediscover their energy, and where the next six months of alternative music discourse quietly begins. This year, that room is once again the Secret Comedy Club in Brighton, as Planetary Group and Impressive PR return with Alternative Escape 2026 — an official Alternative Escape showcase running across two stacked sessions on Thursday 14th May. Taking over the intimate Brighton venue from 12pm–4pm and again from 6pm–10pm, the showcase has evolved into one of the festival’s most trusted launchpads for future cult heroes.
Now entering its third year, the event has built a reputation for balancing raw discovery with genuine curation. Planetary Group’s transatlantic reputation for breaking emerging artists into North America collides neatly with Impressive PR’s longstanding influence across the UK indie and alternative underground, creating a line-up that feels less like industry guesswork and more like a snapshot of where guitar music, leftfield pop and experimental sounds are heading next. This year’s bill stretches across Australia, Canada and the UK, threading together rising names already gathering serious momentum. Australian trio Fool Nelson arrive in Brighton carrying the buzz of sold-out hometown shows and BBC Radio 1 support, while Montreal experimentalists Yoo Doo Right promise towering post-rock intensity that feels tailor-made for a darkened club room. Elsewhere, Joan & The Giants bring emotionally charged alt-pop catharsis, while Winnipeg dream-pop newcomers sundayclub lean into cinematic nostalgia and shimmering vulnerability.
The evening session pivots into something louder, stranger and more volatile. Welsh trio CHROMA continue their ascent as one of the UK’s sharpest political punk bands, armed with the blistering edge of forthcoming album 25 Forever, while Brighton art-pop institution My Life Story deliver what promises to be one of the week’s most intimate and emotional performances ahead of Jake Shillingford’s 60th birthday celebrations. Manchester garage-punk firestarters The Sick Fix add a dose of teenage chaos to proceedings, joined by Sheffield songwriter Sam Scherdel’s widescreen indie-rock ambition and SONNY E.’s gloriously futuristic ‘Cyberbilly’ hybrid. Closing the night are London’s Sweet Unrest, whose self-described ‘Gritpop’ has already transformed Camden sweatboxes into word-of-mouth phenomena.
One of the event’s biggest talking points arrives via a late addition to the line-up. Canadian goth-punk twins Bonnie Trash have stepped into the bill as very special guests, bringing with them the haunted grandeur of recent album Mourning You. The duo’s blend of post-punk austerity and cinematic horror has already earned praise from Metal Hammer, Guitar World and The Line of Best Fit, while their immersive live sets have quietly become one of underground rock’s best-kept secrets. Their inclusion sharpens the showcase’s identity even further: Alternative Escape isn’t interested in chasing trends so much as documenting the artists operating entirely in their own worlds.
At a festival increasingly saturated with competing showcases and endless schedules, Alternative Escape continues to thrive because it feels genuinely communal. It’s the rare Great Escape event where emerging artists, journalists, promoters and fans all collide without pretence — a room driven by instinct rather than algorithms. Across one long Brighton day, Planetary Group and Impressive PR are once again betting on artists with something urgent to say, and if previous years are anything to go by, a handful of these names will return to the festival circuit next year playing rooms ten times the size.
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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