We Speak Music
PORTLAND drop glorious echoing indie-pop gem ‘Lay Me Down’ ahead of 6th June London show.
Belgian dreampop band Portland today releases their new single ‘Lay Me Down’, a glorious indie-pop gem with huge waves of echoing guitars and a melancholic undertone. A song that wears the scars of recent years on its sleeves, but at the same time expresses an irrepressible zest for life. It bursts out of the speakers and hits hard.
“It’s hard to see what’s still left of me
All these fears will last”
In all fairness, it’s a miracle Portland releases new music today. To call the past few years in the life of singer and guitarist Jente Pironet turbulent is to downplay the truth. The years between the debut album ‘Your Colours Will Stain’ (2019) and latest release ‘Departures’ (2023) were particularly intense. Singles ‘Pouring Rain’ and ‘Killer’s Mind’ propelled the band to stardom in their homeland. Fully embraced by leading alternative music station Studio Brussel, the band sold out multiple tours and was welcomed several times on the stages of Rock Werchter and Pukkelpop. However, a few days after the glorious show at Rock Werchter 2023, a leaden verdict followed: a severe brain tumour with, in the worst scenario, a year to go. Jente’s world stopped turning abruptly. Plans were postponed (cancelling proved unbearable and a step too far) and rehearsals and shows gave way to doctor’s visits and treatments. Instead of hanging his head, Jente clenched his fists and embarked on a long and exhausting rehabilitation journey. In early 2024, the skies slowly began to clear: he received the MIA (Belgian Music Industry Award) for ‘Alternative’ and, under strict medical supervision, was once again allowed to take to the stages of many sold-out concert halls. And look — nearly two years later, Portland’s third album is almost ready.
“Is there a place
Where I can feel, not being misplaced”
‘Lay Me Down’ rings in a fresh start for Portland. It is the sound of someone who went through the eye of the needle, of someone who has had to learn to take a few punches and, as a result, has risen back up with gusto and focus. The single is the prelude to a new album to be released later this year.
Portland will play The Waiting Room in London on 6th June 2025.
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.
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