We Speak Music
Realma Shares New Single ‘Down the Railway Spine’
Realma is an intimate musical alter-ego of an independent Serbian-Chinese polymodal artist, composer, and songwriter. Accumulating press coverage across Rolling Stones India, Calvert Journal, Music Crowns, Zile si Nopti, Vreme, B92, Pink TV, and numerous other media outlets across the world, Realma has presented herself as an exciting creative talent with a lot of promise for the future.
“Eclectic, distinct, and multidisciplinary” have been used to define Realma’s recent performances, and she placed in the top three of the MArte Live European competition quarterfinals. Numerous international film festivals, such as Lift-Off Sessions, Flipbook Film Festival, Animest, and many more, have included her animated music videos.
Realma uses songwriting as a transformational tool of escape and reverie, confronting the everyday in all its light and dark hues. With otherworldly sonorities and storylines, her songs display varying themes through the eclectic influence of different musical genres. With a characteristic combination of postmodern and atavistic sound, her music is both melancholic and empowering, cinematic and lifelike, all blended with the constant witchy quality. The project is the result of an extended audiovisual collaboration with a global network of young and independent, award-winning artists.
Realma returns with her latest offering ‘Down the Railway Spine’, accompanied by a gripping animated music video. The production fringes on the distinct experimental edge between a cinematic pop sound and game-style soundtrack music. Pulsating and action-packed, the fierce orchestration is delivered in combination with some unique vocal and instrumental effects mixed into synth embellishments.
‘Down the Railway Spine’ was created while the artist had been struggling with PTSD from a distressing, personal experience. The title of the song stems from the nineteenth-century term ‘railway spine’, when doctors encountered unexplainable symptoms experienced by passengers involved in railroad accidents, unaware it was an early form of PTSD. In this vein, the song represents Realma’s ongoing journey confronting a giant roller coaster of mental health symptoms, often opposing and clashing – from depression to anxiety and emotional numbness to irritable panic attacks. The conflict is transformed both lyrically and musically into an intense track, which at points recalls the feeling of a filmic boss battle.
Taken a step further, the 3D animated music video, created in collaboration with the award-winning animator, Mihajlo Dragaš, tells the story of an interstellar racer on a mission to save his younger sibling. Reminiscent of futuristic, neon-clad visuals seen in films like Tron and Blade Runner, the animation propels the audience into an odyssey across three contrasting planets with a cataclysmic monster waiting in each. “Since the previous collaborations with Realma leaned more towards fantasy and mysticism, working on Down the Railway Spine felt like a novelty. I am a huge fan of Tron and Blade Runner, so with this animation, I wanted to pay homage to them, as their influence significantly shaped the contemporary visual identity of the Sci-Fi art form. From the technical perspective, the video is also the most demanding so far with three expansive worlds, various effects, and large monsters to visually assist the epic undertones of Realma’s song. With all this, the interstellar epic was born to sweep the viewer through the main character’s emotional journey and motivation in one breath.”
On the track, REALMA says, “Down the Railway Spine is a song that delves deep into my innermost dystopian moments dealing with PTSD. Both the lyrics and the music describe those dark times when I’d been fighting a whirlpool of emotions in episodes of mental deterioration. Yet, there is also a heroic tone to the music, something undefeated, where I address those pieces of us that remain courageous and continue to defy even the eyes of the worst downward spirals. While there is some affinity towards gaming styles like epic tracks from League of Legends, this single is much more experimental with a distinctly experimental edge and highly irregular 7/8 rhythms pulsating throughout. I’m also thrilled to be collaborating again with the award-winning animator, Mihajlo Dragas, whose animated 3D music video represents a unique visual interpretation of the song with poignant characters and powerful storytelling.”
Realma is essentially a neo-symbolist, as evidenced by her ingenious finding of odd intersections that straddle the traditional and the experimental, as well as the mystical and the everyday. Every song or composition by the artist presents a new cross-genre blend and together with its accompanying visuals, offers a new journey within her audiovisual world. On that note, Realmaverse is a multi-genre audiovisual realm that is based on her art songs and features compelling characters with captivating tales. With ambitions to expand these storyworlds into comic books, tabletop role-playing games and video games, Realma and her team are now exploring the exciting possibilities of turning this musical universe into a successful brand and franchise.
We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.
Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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