We Speak Indie Artist

Rising Stars Dandy And Ramraz Deliver An Emotional Knockout With “Couldn’t Make a Sound”

Published

1 year ago

April 2, 2025

Music4U

Dandy and Ramraz’s latest single, “Couldn’t Make a Sound,” is a masterclass in blending raw emotion with immersive production. The Israeli duo craft a soundscape that’s both delicate and powerful, weaving elements of 2-step garage, jungle, and bedroom pop into a track that feels deeply personal yet universally relatable. The lyrics hit hard, with lines like “I guess my inner child is dead now” exposing unfiltered vulnerability. Dandy’s soft, almost ethereal vocals glide over the pulsating beat, creating a haunting contrast between pain and movement.

What makes this track truly stand out is its ability to turn silence into sound—both literally and metaphorically. The production is crisp and dynamic, pulling the listener into a rhythmic push-and-pull that mirrors the emotional tension at the heart of the song. “Couldn’t Make a Sound” is more than just a song; it’s an experience—one that makes a big impression on you. With their upcoming EP on the way, Dandy and Ramraz prove they’re not just making music; they’re creating moments that demand to be felt.

Photo credit: Deadline Productions

We Speak Indie Artist

Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack

Published

5 days ago

August 18, 2026

Joni Jones

Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.

At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.

Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.

Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.

Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.