We Speak Music
Rocky Kramer’s Rock & Roll Tuesdays Presents “Miami” On Tuesday, March 31st, 2026 7 PM PT on Twitch
Rocky Kramer will be hosting “Miami” on this week’s episode of Rocky Kramer’s Rock & Roll Tuesdays on Twitch. Tune into Twitch on Tuesday, March 31st, 2026 at 7 PM PT for this amazing show.
Rocky Kramer is a guitar virtuoso, often being compared to the greatest guitar players in the world. Rocky has performed on shows with some of the greatest musicians on the planet including Ozzy Osbourne, John Lodge, Steve Vai, Leland Sklar, Kenny Aronoff, Tommy James, Verdeen White, Ten Years After, BuckCherry, Rick Wakeman and more.
Rocky’s first studio album, “Firestorm” is now available worldwide through Allied Artists Music Group, together with an epic music video of his #1 Global DRT Chart topper single, “Rock Star”, that also picked up a Best Rock Performance nod at the 2019 Hollywood Music In Media Awards (“HMMA”).
Rocky Kramer recently returned to the studio to record his sophomore album “Alone In The Rain” which will be released soon!!!
Rocky Kramer was recently cast in The Mutt Productions/ Allied Artists rock n’ roll time travel comedy adventure “Rockin’ In Time” where he will play the film’s lead character, Lars Olsen. The film is being directed by Aaron Lee Lopez (of the “Teenage Girl” franchise) and is being produced by multi-platinum and six-time Grammy Award winning musician turned motion picture producer, Kurt Wipfli.
Rocky Kramer is now the new lead guitarist in Prescott Niles’ new revival of the legendary band The Knack. Known worldwide for their smash hit “My Sharona,” The Knack helped define the sound of late-1970s power pop and rock. Decades later, the band’s influence continues to resonate with fans and musicians across generations. With Rocky Kramer now joining the lineup, the band is poised to introduce that legacy to a new era of audiences while honoring the spirit that made them legendary.
Watch Rocky Kramer’s “Rock Star” Music Video here:
Watch Rocky Kramer’s Rock & Roll Tuesdays “Miami” on March 31st , 2026, at 7 PM PT on Twitch here:
http://www.twitch.tv/rockykramer
The official website for Rocky Kramer may be found at http://www.RockyKramer.com
Visit Rock & Roll Tuesdays with Rocky Kramer on IMDB here:
We Speak Music
Unethical Dogma Pull Back The Dark Curtain For A Carefully Engineered Descent into Technical Melancholy
Unethical Dogma return on Behind The Dark Curtain feels less like a standalone EP and more like the final act of a deliberately constructed psychological arc. Across its runtime, the band commits fully to its horror-driven narrative framework, closing the conceptual thread that began with DUSK. The result is a release that feels cohesive, intentional, and structurally disciplined rather than loosely assembled.
Instrumentally, the EP leans heavily into polyrhythmic complexity and tightly wound djent grooves, but what stands out most is how often the band resists pure technical display in favor of atmosphere. Piano passages and choral textures are not ornamental—they function as emotional anchors, giving the heavier sections a sense of collapse rather than just aggression. The contrast between brutality and fragility is handled with noticeable care.
The vocal performance is equally dual-layered. Screamed vocals carry the narrative’s psychological deterioration with intensity, while clean vocals are used sparingly to emphasize moments of reflection or detachment. This dynamic avoids predictability by making restraint as important as force, especially in transitions where the story shifts perspective.
Lyrically and conceptually, the EP benefits from its unusual writing process, which begins with short stories before being translated into music. That foundation is audible in how scenes unfold rather than verses simply progressing. The storytelling feels cinematic, as if each track is a chapter viewed through unstable memory.
Overall, Behind The Dark Curtain succeeds most when it trusts its atmosphere over its technical ambition. It is a dense, carefully designed work that prioritizes immersion, and while it demands patience, it rewards listeners who engage with its narrative structure rather than just its surface complexity.
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