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ROWSIE release disparaging anti-war single ‘Makeshift Grave’ to address the plight in Ukraine.

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ROWSIE, the four-piece band from London known for their thought-provoking, emotive brand of rock n roll, have released a new charity single titled ‘Makeshift Grave’.

The song takes a hard, honest look at the mindless ongoing violence and conflict in Ukraine, shedding light on how the destruction of truth is often the first step in rationalising psychopathic behaviour that leads to the carnage we are blatantly witnessing today.

Recorded at the world-famous RAK studios, ‘Makeshift Grave’ combines powerful lyrics,

“The f~~kers killed my grandparents too”,

and complex melodies, creating an impactful and moving experience for the listener. Topped with a great hooky chorus,

“First you kill the truth, then you kill the people, that’s the only way it works. You gotta do it in that order, so nobody knows what you’re up to.”

Speaking about the inspiration behind the song, vocalist and guitarist Richard Rothenberg said, “I was on my phone looking at the news coverage during the early days of the war. I saw this photograph in a story about the invasion; it was a woman’s legs in black and white stockings, half buried in the frozen front yard of her mother’s house. It turns out that she and her grandmother were watching Russian troops pull into town and were randomly shot – murdered. The story went on to say that the mother did her best to bury them while under constant threat. It moved me at a visceral level. My Ukrainian ancestors had had the same thing done to them after the Russian revolution. I felt compelled to write a song about it.”

For the video the band thought to involve some first-hand witnesses to the recent atrocities produced by Richard with bassist Alan D. Boyd taking on director’s duties. It’s a simple concept with Ukrainian dancer Angelina Lengyel and choreography by Anastasiia Artiushok. Costumes and floral crowns were provided by designers Nataliia Horbenko and Anfisa Polyushkevych. All have been affected by the war in personal ways.

“I left Ukraine at the beginning of the war,” says Anastasiia, “and was looking for a place to stay, start a new life, catch an opportunity to start creating again, after all those horrible things happened. I am absolutely grateful for this opportunity and happy to show it in this music video. I was wondering how such a horrible thing as a war could inspire people to create something beautiful and gather people from different countries to make art together.”

The band’s music has been praised for its unique sound and powerful messaging as magazine Angry Baby pointed out about their previous single ‘Gaslight’ from 2022 “It’s a call out against pure, evil madness being flung into the world by delusional megalomaniacs whose lies and obfuscations mislead us all. The song is a battle cry of the rational mind and is reflected in the onslaught of sound laid down. It’s raw and angry and it’s brilliant.”

ROWSIE are Richard Rothenberg on guitar and vocals, Holly Henderson on guitar and vocals, Alan D Boyd on bass, and drummer Jess Rollason. The track ‘Makeshift Grave’ is available now on all major music

platforms.

Proceeds for the sales of this single will go to the charity British-Ukranian Aid who ROWSIE have worked with in 2022 raising over £10,000 for the charity in a previous benefit concert.

We Speak Rock

Strawhouses Have Made An Album That Needs To Be Heard

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Some records give the impression they’ve been lived with for a long time. Not because they’re nostalgic, but because they carry a quiet confidence that’s difficult to manufacture. That’s the feeling Time in the Light leaves behind.

Strawhouses never sound as though they’re trying to impress with sheer scale. The arrangements expand when they need to, then step aside just as easily, leaving plenty of space for the album’s ideas to settle. That gives the music a natural pace, allowing each track to find its own character without pushing too hard for attention.

The record also avoids taking the same route twice. “Fireworks” opens with a striking historical setting, while “No Other Way Round” explores how timing can change the course of a relationship. Elsewhere, the title track finds meaning in everyday life, before the closing songs gradually shift the focus towards life’s final chapter.

One of the album’s biggest strengths is its sense of perspective. Big themes are approached through recognisable situations rather than grand statements, making the songs easy to connect with without ever feeling overplayed.

Out now via Now Listen, Time in the Light leaves a lasting impression because it never tries to force one. Strawhouses trust the listener to spend time with these songs, and that quiet confidence gives the album a character that’s increasingly uncommon.

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