We Speak Music
Saint Joshua: Enchant Audiences with ‘Nasty’ and Upcoming Mixtape Self-(En)titled

Rapidly rising pop and R&B singer-songwriter Saint Joshua captivates listeners once again with the release of his highly anticipated single, “Nasty.” As the fourth offering from his forthcoming mixtape, Self-(En)titled, slated for release on November 15, this R&B-infused pop track promises to showcase the depth and versatility that has characterised Saint’s burgeoning career.
Known for his soulful lyrics and dynamic vocal prowess, Saint Joshua has crafted a deeply personal and eclectic sound that resonates with audiences across the globe. His music seamlessly blends various genres, drawing inspiration from an impressive array of influences, including Usher, Frank Ocean, Stevie Wonder, and Amy Winehouse. This unique amalgamation has positioned Saint as one of the most promising new artists in the contemporary music scene.
Self-(En)titled is a significant milestone for Saint, featuring nine compelling tracks that straddle the lines between R&B and pop. Produced by an impressive roster of longtime collaborators and co-writers—including Cashybear (Songer, Callum Beatie), Pears Macintyre, Jack Ducker (Warner), Geth, Edbl, and Blair Mackichan (Sia)—the mixtape represents a collaborative effort that showcases the full spectrum of Saint’s artistry.
Having already released pop-driven singles such as “Blah Blah Blah,” “Do U Ever Call,” and “Sweet Talk,” which have garnered substantial support from major national radio stations like Radio 1 and 1Xtra, “Nasty” diverges into deeper R&B territory, adding a rich emotional undertone to the mixtape. Other standout tracks include the harmony-laden “Waterfalls” and “Blessing,” as well as the vibe-driven “Next Flight to Paris.” This diverse range of sounds demonstrates Saint’s ability to connect with listeners through relatable storytelling and captivating melodies.
Saint Joshua has already amassed over 14.5 million streams, generating undeniable momentum that has attracted the attention of industry tastemakers. This recognition has translated into prime placements, propelling him into the mainstream music scene. With three successful EPs and numerous singles—including the acclaimed “Palo Santo”—Saint has received extensive radio rotation from major platforms like Radio 1 and Apple Music. His work has also been featured in prominent publications, including Wonderland, Clash, Rollacoaster, Man About Town, and Earmilk. Notably, Complex Magazine recognized him as one of the UK R&B artists to watch in 2023.
His growing popularity is further evidenced by his live performances, which have led to a sold-out debut London show in 2023, as well as a UK headline tour scheduled for February 2024. Recently, he showcased his talents on the BBC Introducing Futuretense show (September 19) and participated in a London Fashion Week event with Fame Magazine (September 16). Saint has also graced some of the UK’s most prestigious festivals, including Latitude, The Great Escape, Dot2Dot, and Live At Leeds. Additionally, he played his first show in Los Angeles in May of this year, with plans for an EU tour in January 2025 that will take him to Amsterdam and Paris, along with further shows and festivals planned for 2025.
As Saint Joshua prepares to unveil Self-(En)titled, “Nasty” serves as yet another bold introduction to what promises to be one of his most personal and accomplished works to date. With a sound that resonates on a global scale and a rising star on the music horizon, there is little doubt that Saint Joshua is poised to make an indelible mark on the music industry. His ability to blend R&B and pop influences, combined with his heartfelt storytelling, positions him as a significant artist to watch in the years to come. As he continues to break boundaries and captivate audiences, Saint Joshua’s journey is just beginning, and the world eagerly awaits what he has in store next.
We Speak Music
Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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