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Saint Joshua: Enchant Audiences with ‘Nasty’ and Upcoming Mixtape Self-(En)titled

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Rapidly rising pop and R&B singer-songwriter Saint Joshua captivates listeners once again with the release of his highly anticipated single, “Nasty.” As the fourth offering from his forthcoming mixtape, Self-(En)titled, slated for release on November 15, this R&B-infused pop track promises to showcase the depth and versatility that has characterised Saint’s burgeoning career.

Known for his soulful lyrics and dynamic vocal prowess, Saint Joshua has crafted a deeply personal and eclectic sound that resonates with audiences across the globe. His music seamlessly blends various genres, drawing inspiration from an impressive array of influences, including Usher, Frank Ocean, Stevie Wonder, and Amy Winehouse. This unique amalgamation has positioned Saint as one of the most promising new artists in the contemporary music scene.

Self-(En)titled is a significant milestone for Saint, featuring nine compelling tracks that straddle the lines between R&B and pop. Produced by an impressive roster of longtime collaborators and co-writers—including Cashybear (Songer, Callum Beatie), Pears Macintyre, Jack Ducker (Warner), Geth, Edbl, and Blair Mackichan (Sia)—the mixtape represents a collaborative effort that showcases the full spectrum of Saint’s artistry.

Having already released pop-driven singles such as “Blah Blah Blah,” “Do U Ever Call,” and “Sweet Talk,” which have garnered substantial support from major national radio stations like Radio 1 and 1Xtra, “Nasty” diverges into deeper R&B territory, adding a rich emotional undertone to the mixtape. Other standout tracks include the harmony-laden “Waterfalls” and “Blessing,” as well as the vibe-driven “Next Flight to Paris.” This diverse range of sounds demonstrates Saint’s ability to connect with listeners through relatable storytelling and captivating melodies.

Saint Joshua has already amassed over 14.5 million streams, generating undeniable momentum that has attracted the attention of industry tastemakers. This recognition has translated into prime placements, propelling him into the mainstream music scene. With three successful EPs and numerous singles—including the acclaimed “Palo Santo”—Saint has received extensive radio rotation from major platforms like Radio 1 and Apple Music. His work has also been featured in prominent publications, including Wonderland, Clash, Rollacoaster, Man About Town, and Earmilk. Notably, Complex Magazine recognized him as one of the UK R&B artists to watch in 2023.

His growing popularity is further evidenced by his live performances, which have led to a sold-out debut London show in 2023, as well as a UK headline tour scheduled for February 2024. Recently, he showcased his talents on the BBC Introducing Futuretense show (September 19) and participated in a London Fashion Week event with Fame Magazine (September 16). Saint has also graced some of the UK’s most prestigious festivals, including Latitude, The Great Escape, Dot2Dot, and Live At Leeds. Additionally, he played his first show in Los Angeles in May of this year, with plans for an EU tour in January 2025 that will take him to Amsterdam and Paris, along with further shows and festivals planned for 2025.

As Saint Joshua prepares to unveil Self-(En)titled, “Nasty” serves as yet another bold introduction to what promises to be one of his most personal and accomplished works to date. With a sound that resonates on a global scale and a rising star on the music horizon, there is little doubt that Saint Joshua is poised to make an indelible mark on the music industry. His ability to blend R&B and pop influences, combined with his heartfelt storytelling, positions him as a significant artist to watch in the years to come. As he continues to break boundaries and captivate audiences, Saint Joshua’s journey is just beginning, and the world eagerly awaits what he has in store next.

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Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

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Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.

There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”

Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?

‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”

Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.

Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.

Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.

The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.

“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.

Catch Juliet Lloyd on her UK tour this July:

1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent

5th July: Waggon & Horses, Nottingham

6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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