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“SAINTS & SINNERS” WRAPS MOST-WATCHED SEASON EVER, SEEN BY 7.1 MILLION VIEWERS

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ATLANTA (Sept. 11, 2019) – It’s rare for a television series to increase viewership season over season. Bounce‘s original drama Saints & Sinners has done exactly that – for the fourth consecutive time.
The show’s just-concluded fourth season reached 7.1 million viewers and increased audience versus season three by +11% among Households and +13% in the delivery of Persons 2+. It was also up by +16% in P18-49 and +5% in P25-54.
Saints & Sinners was the #1 most-watched program in P18-49 and P2+ and second among HHs and P25-54 among all ad-supported cable in the delivery of African-Americans, Bounce’s target-audience, Sunday nights at 9:00 p.m. 
In general market viewership, the show ranked 11th in P18-49, 12th in P25-54 and 16th in both HHs and P2+ among all commercial cable networks.
Saints & Sinners is the most-watched program in Bounce history. Viewers can catch up on Saints & Sinners anytime on Brown Sugar, Bounce’s subscription video-on-demand service. Brown Sugar is available on Apple TV, Roku, Chromecast, Comcast Xfinity X1, Amazon Prime Channels, Amazon Fire TV, Amazon Kindle, Android and Apple smartphones and tablets and web browsers via BrownSugar.com.  
This season of Saints & Sinners saw Mayor Ella Johnson (Vanessa Bell Calloway) setting her sights beyond Cypress, Georgia and using her power and influence to position herself for a state senate seat. When her mother’s (Donna Biscoe) deep buried secrets surface, they threatened the very foundation of Ella’s world as she struggled to keep her enemies at bay and her children safe. Saints & Sinners also stars Clifton Powell, Tray Chaney, Keith Robinson, Demetria McKinney, J.D. Williams, Jasmine Burke, Dawn Halfkenny and Karon Joseph Riley.
Saints & Sinners is produced in partnership with Swirl Film’s Eric Tomosunas & Ron Robinson (Behind the Movement: The Rosa Parks Story, Love Under New Management: The Miki Howard Story, Tales,Pride & Prejudice.
Bounce (@bouncetv) is the first and only multi-platform entertainment network targeting African Americans, with programming seen over-the-air, on cable, on DISH channel 359, over-the-air, over-the-top on Roku®, on mobile devices via the Bounce and Brown Sugar apps and on the web via BounceTV.com. Bounce features a programming mix of original series and movies, off-network series, theatrical motion pictures, specials, live sports and events and more. Bounce is part of The E.W. Scripps Company (NASDAQ: SSP). 

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We Speak Indie Artist

Marz Starlife Makes A Striking First Impression With Healing

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Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.

Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.

The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.

What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.

With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.

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