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Sam T’s “Empty Home” – A Thoughtful Exploration of Isolation in Folk’s New Era

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In his debut single, “Empty Home,” Sam T introduces listeners to his unique brand of melancholic folk music, weaving a narrative that is both deeply personal and universally relatable. The track, which explores themes of loneliness, survival, and the bittersweet acceptance of isolation, marks the beginning of a solo career that promises to challenge the conventions of folk music. With its haunting melodies and deeply emotional lyrics, “Empty Home” stands as a testament to Sam T’s exceptional ability to merge folk traditions with his own innovative musical vision.

The song is set against the bleak landscape of a post-apocalyptic world, after a nuclear catastrophe has wiped out humanity. From the perspective of the last living human, the protagonist reflects on their solitude and the eerie peace that comes from knowing they are the sole survivor. Sam T’s poignant lyrics take listeners on a journey through this desolate world, finding beauty in the emptiness and offering a nuanced exploration of what it means to call such a place “home.” The central idea of loving an empty home, though paradoxical, speaks to the deep emotional resonance of the song.

Sonically, “Empty Home” is where Sam T truly shines. Drawing from his background as a classical composer and his experiences in London’s indie and progressive rock scenes, he creates a sound that is at once delicate and powerful. His guitar work is intricate, weaving through the song in unexpected ways, while his voice—raw and vulnerable—carries the weight of the song’s emotional depth. The arrangement builds with a quiet intensity that reflects the protagonist’s internal turmoil, inviting the listener to sit in the silence of the moment.

What sets Sam T apart in the crowded world of folk music is his ability to convey deep emotional truth without resorting to melodrama. “Empty Home” isn’t just a song about a post-apocalyptic world—it’s about the loneliness that comes with being human. The absence of overt political or social commentary allows the song to function as a universal meditation on solitude and survival. The song doesn’t ask for answers but instead invites the listener to reflect on their own responses to isolation and existential fear.

With “Empty Home,” Sam T proves himself to be an artist with the potential to reshape folk music. His ability to craft intricate guitar arrangements and explore emotional landscapes that are both intimate and vast sets him apart as an exciting new voice. As this debut marks the beginning of a larger artistic journey, Sam T’s work promises to push the boundaries of what folk music can achieve, merging the haunting with the beautiful and offering a fresh perspective on the genre.

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DJ Design drops “I Wanna Be Free” single ft. Gennessee

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Bay Area beatmaker/visual artist DJ Design returns with new single “I Wanna Be Free” (Below System Records).  Washes of synth collide with a dense horn arrangement and snappin’ drums.  West-Coast emcee Gennessee guests on the track spitting a lyrical dissertation on the woes of a police state, racial profiling and surveillance. 

Listen to “I Wanna Be Free” (Ft. Gennessee): https://bsr.ffm.to/iwannabefree

This is the 3rd leak from the forthcoming Survival Web Vaults LP to drop in vinyl and digital formats later this year. Additional album guests include Fashawn, Phat Kat, Elzhi, Guilty Simpson, LMNO and more.

Listen to “No Less Than The Trees And The Stars” (Ft. Fashawn): https://bsr.ffm.to/nltttats

Listen to “The Blues” (Ft. Phat Kat & Elzhi): https://bsr.ffm.to/theblues

While more of a behind-the-scenes player DJ Design’s (aka Keith Griego) work has had a sizable imprint on the history of modern hip-hop. As a DJ/Beatmaker and visual artist he has contributed production and art since the late 90’s for notables including The Beastie Boys, Madlib, A.G., Foreign Legion, Rasco, Peanut Butter Wolf and Phat Kat

As a visual artist, his high point of work with the label was his design of the 12” vinyl cover for Lootpack member Madlib’s side project Quasimoto. The cover for “Microphone Mathematics” featured Design/Griego’s visual representation of Lord Quas as a sort of alien aardvark, which was adopted by the artist and has since become one of the most iconic and enduring

characters in the game today.

More Info: https://www.belowsystem.com/

https://www.instagram.com/djdesign

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