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Saxophonist Rahsaan Barber Attains a New Level of Artistic Vigor with “Eternal,” Coming October 9 from Jazz Music City Records

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Rahsaan Barber

Already an accomplished saxophonist and composer, Rahsaan Barber nonetheless reaches a magnificent degree of creative energy—fresh, thoughtful, and somehow both raw and refined—on Eternal, arriving via his own Jazz Music City Records on October 9. The album features the Nashville-born, Chapel Hill, North Carolina–based saxophonist with a new collaborator, New Orleans guitarist Ted Ludwig, alongside Barber's longtime rhythm section of pianist Matt Endahl, bassist Kevin Beardsley, and drummer Joshua Hunt.

In part, the album's artistic crest arises from a great personal challenge: in the days leading up to the recording sessions for Eternal, Barber and his wife (esteemed classical saxophonist Heidi Radtke) received the news that her pregnancy was no longer viable. The grief over this loss changed the experience of recording in countless ways, including changing the name of the album's title track, which was originally titled "Awaiting Zora," after the girl the couple was expecting. The track became both a cathartic outpouring of grief and an anthem of enduring faith, leading to an album characterized by remarkable chemistry and empathy shared by the saxophonist and his bandmates, whom he credits with elevating the proceedings.

"I was just so fortunate to be surrounded by not just great musicians, but great people who could deal with someone who broke down in the sound booth as they were playing," he says. "I feel like they put a force field around me that allowed me to be in a place that became therapeutic for me, life-affirming."

Of no small import was the introduction to the fold of Ludwig, whom Barber met when the two played together in Memphis last year. "I've always loved guitar and piano together," says Barber of his decision to bring Ludwig into his own band. "I was really curious how Ted's traditional language and his approach would go into what we might call a more modern tune…He plays with a sweet kind of fire that really lifts the music."

That sweet fire is quite apparent on tunes like "The Skipper," "Mandela," and especially Ludwig's exhilarating line on the funky "Cabbage." Endahl, meanwhile, gets his time to shine with a swinging solo on the opening "Day Dreamer" and a part-tough, part-tender one on "Gratitude (For Claire)", while Beardsley's spotlight is on the closer "Cabbage (Reprise)." Though Hunt is rarely used as a soloist across the record (on "Day Dreamer" and "The Skipper"), he nonetheless proves his mettle in the second half of Barber's radical transformation of Marvin Gaye's "What's Going On." Ultimately, though, the band functions as a seamless and well attuned unit on Eternal, with Barber as first among equals.

Rahsaan Barber was born April 2, 1980 in Nashville, Tennessee, where he was raised. He was the third generation of a musical family, with his grandmother and parents immersing him in every flavor of Black American Music. Jazz was the one that captured his attention, and Barber took after his older brother Robert in selecting the tenor saxophone.

Accompanied by his trombone-playing twin brother, Roland, Barber matriculated at Indiana University, where both brothers studied under pioneering jazz educator David Baker. After completing their undergraduate work at IU, the Barber twins earned master's degrees at Manhattan School of Music; Rahsaan went on to earn a doctorate in classical saxophone at the University of Memphis.

Shortly after finishing his master's, Barber was hired as a saxophone instructor at Belmont University in Nashville, moving from there to Tennessee State University and then to the University of North Carolina, where he is currently a tenured assistant professor of music. He has also presented master classes at numerous other universities.

In the meantime, he has continued to develop a performing career. The brothers made an album as co-leaders, Twinnovation, in 2000; his first album as a leader, Trio Soul, arrived in 2005. Barber then spent many years freelancing on the Nashville scene, leading to tours with Kelly Clarkson, Chris Stapleton, the Wooten Brothers, and Delfeayo Marsalis. Between those gigs and the university ones, he issued Everyday Magic, his first collection of all original tunes, in 2010. The standards-intensive Music in the Night followed in 2016; Mosaic, another album of all-originals in arrived 2021; and Six Words, featuring an eight-part original suite, came in 2024. Eternal is his sixth album.

Rahsaan Barber will be performing two CD release shows in October: Fri. 10/16, University of Memphis (TN) School of Music, 7pm, Barber with Everyday Magic featuring Jeff "Tain" Watts, Nat Reeves, Kevin Ganz, Matt Endahl; Sat. 10/17, Nashville (TN) Jazz Workshop, 7:30pm, Quintet featuring Matt Endahl, Brian Allen, Keith Ganz, Joshua Hunt.

We Speak Jazz

Elena Pinderhughes Introduces Her Singing Voice Alongside Her Flute For “a rose in bloom”

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Elena Pinderhughes

Flutist, composer, and vocalist Elena Pinderhughes has released “a rose in bloom”, the newest single from her upcoming debut album, i hope you feel it too, out October 23, 2026. A collaborator across genres, Pinderhughes steps into the spotlight with her album.

On “a rose in bloom,” she offers a window on her singing voice, where her vocals move alongside her flute as another instrument.

Pinderhughes shares: “I think there's something really beautiful about the kind of love that makes you feel safe enough to slow down and just be yourself. Whether that's love you give yourself or love you receive from someone else, I believe the right kind of love allows us to bloom. We become softer, more open, and more comfortable in who we are. That's the feeling I was experiencing when we made 'a rose in bloom,' and I wanted the song to hold onto that warmth. Something intimate and peaceful that brings you back to yourself and reminds you how beautiful the simple moments in life can be.”

Pinderhughes' debut full-length album follows a decade of collaboration across genres, having toured with Herbie Hancock, performed at Coachella with Future and Metro Boomin, and having appeared on recordings by Giveon, Victoria Monét, Ambrose Akinmusire, Robert Glasper, Esperanza Spalding, Common, Terrace Martin, and many more. She has performed on such stages as the White House, Carnegie Hall, and the Kennedy Center.

Raised in the Bay Area's progressive cultural landscape, Elena Pinderhughes weaves R&B and Neo-Soul into music rooted in the Jazz tradition.

She says: “The jazz that raised me is music for life: dancing, falling in love, Friday nights with friends. Touring the world and performing on some of the biggest stages showed me something I couldn't ignore: too often, jazz lives in spaces defined by preservation and distance, treated as something to admire rather than feel. I never believed that was its destiny. I wanted to make something that brought it back to where it started, back to feeling, back to everyday life. The truest way I knew how to do that was through the instrument I've trusted my whole life to say what I can't quite say in words. Every breath through my flute carries more truth than language usually lets me get to. This album holds heartbreak, tenderness, confidence, uncertainty, joy, sensuality, grief, and the complicated experience of growing into yourself.”

Tour Dates: November 2-3 – New York, NY – Blue Note · November 4 – Philadelphia, PA – The Loft @ City Winery Philadelphia · November 6 – Orlando, FL – Judson's · November 7 – Brattleboro, VT – Vermont Jazz Center

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