We Speak Music
Scott Matthews releases spine-tingling live video for ‘The Light’

Following Scott Matthews’ critically acclaimed album, New Skin, lauded by Robert Plant, Radiohead’s Ed O’Brien and Bella Union’s Simon Raymonde as his most courageous move yet in its Eno-esque electronica and Thom Yorke-centric uncovering, comes the sequel to its story, and the Ivor Novello award-winner is not afraid to evolve once more.
From within this freshly paved electronic landscape, Matthews’ new album, Restless Lullabies, emerges with a stark boldness that is breath taking. These phoenix songs, born from New Skin, have more to give, worthy of reincarnation, entirely reimagined by Matthews who appears dauntless, they are restless with good reason.
Now entirely unadorned, stripped of their electronic veil, the album’s organic, acoustic purity creates a subliminal listening experience. From the ethereal acapella, ‘Intruders on Earth’, to the evocative duet, ‘Anniversary’, where Matthews performs with American soul-jazz singer, Krystle Warren, the result being a vocal fusion that seems impossibly perfect. The skeletal delicacy of the songs allows his poetry to breathe, his transcendent vocal to soar, brings his dexterously sensitive guitar playing into microscopic focus and further cements his undeniable mastery as one of our greatest songsmiths.
Restless Lullabies is the Yin to New Skin’s Yang, so obviously interconnected and yet somehow possessing an entirely different force. Here, once again, Scott Matthews has given us a portal to his very core. The album was mastered by Miles Showell at the legendary Abbey Road Studios, who praised it; thus, “It is not over emphasising things when I say that Scott’s forthcoming album is among the very best records I have worked on in my whole career”.
Scott Matthews is on tour in the UK throughout 2023. Get tickets & more info here: https://www.scottmatthews.uk/tour-dates

We Speak Music
EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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