We Speak Music
“Selenophile”: A Sonic Metamorphosis by Etoile Marley
In ‘Selenophile’, Etoile Marley channels the transformative power of the full moon, using the story of a woman who becomes a werewolf as a metaphor for empowerment. The song speaks to embracing one’s darker side and turning it into a source of strength. Known for her evocative, cinematic sound, Marley weaves dreamy synths with husky harmonies and circus-inspired xylophones and organs, a nod to her former career as a circus performer.
Marley’s journey into music was shaped by her diverse background as a performer, actress, and dancer, roles that have deeply influenced her artistic sensibilities. Her music is difficult to pin down to a single genre, often described instead as a mood—sensual, groovy, and cinematic. She records and produces her work in her home studio just outside London, blending her passion for storytelling, obscure words, and emotional depth into her songwriting.
LOUVE, the she-wolf concept album’s B-side, is where ‘Selenophile’ finds its home, exploring the themes of personal transformation and self-acceptance. Marley, now a mother, continues to produce her music solo, navigating both personal and creative challenges with a fierce sense of independence. With an album centered on obscure language slated for 2025, ‘Selenophile’ offers a taste of her evolving artistry, inviting listeners to embrace their own inner wildness.
London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.
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