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‘Sick and Tired’: Deja Vu’s Anthem for Fans Eager for More

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Deja Vu, the rising stars of Ireland’s pop/rock scene, are back with a vengeance with their new single, “Sick and Tired.” Following the success of their debut, “Late to the Party,” this Wicklow-based band has been under considerable pressure from their growing fanbase to deliver more original music. And with “Sick and Tired,” they certainly deliver, proving that their initial success was no fluke. This track, mixed and mastered by the acclaimed Ivan Jackman at Hellfire Studios, showcases Deja Vu’s maturation as a band, offering a powerful exploration of the emotional turmoil that comes with holding on to a relationship that’s both intoxicating and destructive.

Comprised of Stefan O’Brien (vocals), David Mulvey (drums), Rhys Doyle (guitar), and Harry Jacobs (bass), Deja Vu has spent years perfecting their craft through relentless live performances across Ireland. Their dedication to their live shows, which have graced some of the country’s most prestigious venues and festivals, is evident in the polished yet passionate sound of “Sick and Tired.” The track is a poignant mix of heartfelt lyrics and vibrant instrumentation, drawing comparisons to influential acts like The 1975, Coldplay, and The Coronas. It’s a sound that is both familiar and fresh, resonating deeply with listeners who have experienced the push and pull of toxic relationships.

“Sick and Tired” is a significant step forward from their debut single, building on the momentum generated by “Late to the Party,” which topped the iTunes charts for four days straight. The band’s ability to channel raw emotion into their music while maintaining a polished, radio-friendly sound has earned them a dedicated following, something that’s increasingly rare in today’s fast-paced music industry. This single, with its infectious melody and relatable themes, is poised to further cement Deja Vu’s place in the Irish music scene. It’s clear that the band has found a winning formula, and they’re not afraid to push it to new heights.

As they prepare for their upcoming live performances, Deja Vu fans have a lot to look forward to. The band’s electrifying shows have already earned them airplay on stations like East Coast FM, KCLR FM, Tipp FM, and LMFM, among others. With “Sick and Tired” set to be a crowd favourite, these gigs are sure to be even more memorable. For Deja Vu, the future looks bright, and with their continued dedication to their craft and their fans, they are well on their way to becoming one of Ireland’s most beloved bands.

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Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

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London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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