We Speak Music
Sid Dorey’s Middle Seat Is the Soundtrack to Surviving Your Twenties
If your twenties feel like a long, weird road trip with no GPS signal, Middle Seat is the album playing on loop from the auxiliary cord.
With their second EP, rising indie pop artist Sid Dorey has crafted something that sounds like growing pains, healing hugs, and that one late-night car ride where everything almost makes sense. Drawing on personal experiences with loss, strained family ties, and the complexities of queer love, Dorey’s latest project is a time capsule for a generation trying to piece itself together — without a manual.
Dorey’s lyricism is unflinching. On Unlovable, they take on the voice in your head that tells you you’re too broken to be loved. On What Comes With Heaven, they confront the fallout of religious trauma with eerie grace, creating a track that feels both sacred and defiant. These aren’t just songs — they’re survival anthems.
But it’s not all shadows. Middle Seat offers just as much warmth as it does weight. It’s about choosing who’s in your life. You can’t control everything, but you can control who’s around you. That’s power.
That message resonates deeply with their growing fanbase, many of whom first found Dorey through their viral TikTok performances — stripped-down moments of vulnerability that mirror the intimacy of the EP. Their authenticity has led to placements on Spotify’s New Music Friday and Apple’s New in Indie, but it’s clear Dorey is after something bigger than numbers: connection.
Sid Dorey isn’t just part of the next wave of indie pop — they’re shaping its emotional language. Middle Seat doesn’t pretend to fix everything, but it does something better: it reminds you that you’re not alone in the mess.
So next time you’re stuck in life’s middle seat, turn this on. It won’t solve your problems — but it might just help you stay.
EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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