We Speak Music
Sid Dorey’s Middle Seat Is the Soundtrack to Surviving Your Twenties
If your twenties feel like a long, weird road trip with no GPS signal, Middle Seat is the album playing on loop from the auxiliary cord.
With their second EP, rising indie pop artist Sid Dorey has crafted something that sounds like growing pains, healing hugs, and that one late-night car ride where everything almost makes sense. Drawing on personal experiences with loss, strained family ties, and the complexities of queer love, Dorey’s latest project is a time capsule for a generation trying to piece itself together — without a manual.
Dorey’s lyricism is unflinching. On Unlovable, they take on the voice in your head that tells you you’re too broken to be loved. On What Comes With Heaven, they confront the fallout of religious trauma with eerie grace, creating a track that feels both sacred and defiant. These aren’t just songs — they’re survival anthems.
But it’s not all shadows. Middle Seat offers just as much warmth as it does weight. It’s about choosing who’s in your life. You can’t control everything, but you can control who’s around you. That’s power.
That message resonates deeply with their growing fanbase, many of whom first found Dorey through their viral TikTok performances — stripped-down moments of vulnerability that mirror the intimacy of the EP. Their authenticity has led to placements on Spotify’s New Music Friday and Apple’s New in Indie, but it’s clear Dorey is after something bigger than numbers: connection.
Sid Dorey isn’t just part of the next wave of indie pop — they’re shaping its emotional language. Middle Seat doesn’t pretend to fix everything, but it does something better: it reminds you that you’re not alone in the mess.
So next time you’re stuck in life’s middle seat, turn this on. It won’t solve your problems — but it might just help you stay.
With “I’ll Kick A Brick (For My Man),” The Boneshakers prove once again why they’re masters of genre-bending soul and blues-infused funk. The track is an all-out groove assault, as infectious as it is empowering. Taken from their 11th studio release “Live To Be This” out in July, this song is a statement of power, strength, and the kind of loyalty.
From the moment the drums hit, courtesy of the ever-phenomenal Gregg Bissonette, you know you’re in for a ride. The beat is tight, commanding, and immediately danceable. Add in Randy Jacobs’ unmistakable funk guitar — with its perfect balance of grit and precision — and the foundation is set. But what takes this song over the top is Ron Holloway’s masterful saxophone work. His tone is warm and wild, weaving through the rhythm like smoke, adding texture and emotional punch.
Then, there’s Jenny Langer. Her voice is in charge. There’s no hesitation, no second-guessing. With lyrics that draw a line in the sand, she embodies a fierce protector who won’t hesitate to throw down. It’s refreshing to hear a woman front a funk-soul band with this level of confidence and unapologetic boldness. She owns the spotlight, and the band rises to match her.
This is a track by The Boneshakers built for movement and it is both a jam and a jaw-dropper. Put it on repeat.
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