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Sixth House Unveils New EP ‘House of God’

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Sixth House’s latest EP, House of God, is a masterclass in turning personal trauma into transformative art. From the opening track, listeners are drawn into a world where grief, anger, and faith collide, each note reflecting the intensity of a life forged in hardship. Sixth House’s ability to channel his experiences into sound makes this EP feel as much a personal diary as it is a sonic journey.

The six tracks seamlessly navigate between the raw energy of liquid drum and bass, the soaring melodies of EDM, and unexpected touches of acoustic and nu-metal influences. Standouts like “In The Dark” and “I’m Falling” reveal a producer unafraid to blur genres, exploring vulnerability and denial with a musical sophistication that feels rare in electronic music today.

By the time the closing track, “Blinded,” arrives, the listener has traveled through rage, fear, and longing, landing in a space of quiet reflection and acceptance. House of God is more than an EP—it’s a testament to the redemptive power of sound, and to an artist who uses music not just to entertain, but to heal.

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Reece Rosé Bottles the Feeling on “Misbehaving”

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Reece Rosé

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.

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