We Speak Music
Sohodolls celebrate those who don’t conform to societal norms with brand new single ‘Thread’!
Sohodolls are back once again to tease their long-awaited forthcoming new album with another highly intoxicating single. “Thread” is a song about finding your tribe and celebrating your non-blood family. It’s a playful song about those of us who are very passionate, slightly eccentric, maniacally driven and who don’t conform to societal norms. It touches on trauma and how that can influence who we flock to in a positive way – our tribe, that common language that form powerful and stable bonds.
“I wrote this song in Nashville with Tony Esterly”, reveals Maya von Doll. Musically we hit it off straight away – we both love The Gorrillaz, EDM and rock. And that day, I wanted to bring in some Lebanese or middle-eastern vibes into the music because I love that minor scale and I wanted to be able to belly-dance to it. It was such a lovely writing experience, and the song just poured out of us.”
Sohodolls recently climbed up the viral Billboard charts when Madonna’s daughter kickstarted their career again by dancing to one of their 00’s tracks on TikTok. The band have also recently had single ‘Bad’ featured in Netflix’s top 10 series ‘Geek Girl’, plus a slew of new press and radio attention from the likes of BBC Radio 1’s Nels Hylton, Absolute Radio’s Frank Skinner and Atwood Magazine to name a few.
“Thread” continues this exciting new era for Sohodolls and may be their biggest and best new track yet. Tony Esterly, who has worked with the likes of SIA, BTS, Mae Muller, KIRBY, Raekwon, Izzy Bizu and many more brings his own flavours to the song, which is a huge instantly engaging dark-alt-pop banger replete with infectious beats and glossy synths, as Maya von Doll lures the listener in with her perfect vocal and catchy refrain; “Thread it all together”.

We Speak Electronic
Reece Rosé Bottles the Feeling on “Misbehaving”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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