We Speak Music
SonicNeuron Reveals Stunning New EP ‘Movements In Hope’
SonicNeuron, the UK production studio known for straddling the line between Synthetic AI and human soul, has always worked like a collective of futurists soldering wires directly onto emotion. With their new six-track EP Movements In Hope, they’ve gone beyond simply merging technology with artistry — they’ve sculpted a project that feels like a memory archive beamed from a parallel timeline, one where cultures and genres intermingle without borders and the future has a pulse you can dance to.
Opener “Tears of Joy” sets the tone with Afro-Swing warmth, but there’s a bittersweet shimmer embedded in its rhythm. The track follows a teenager travelling to Africa to meet her grandparents — not through narrative lyrics, but through sound design that feels like it’s breathing. SonicNeuron uses Synthetic AI to stretch and bend vocal textures in a way that simulates nostalgia without faking it. The result is a track that feels both feather-light and emotionally heavy, the way reunions often are.
The EP pivots sharply into “Wisteria”, a Dance-Pop/Electro-House number that mirrors the sway of its titular Middle Eastern dancer. This is SonicNeuron at their most playful: chopped percussive accents flutter like the petals of the wisteria tree, while synths dip and rise with a grace that’s more choreography than composition. There’s a confidence here — a reminder that the studio understands not just global sound palettes but global storytelling.
“Move On” slows things down into Bedroom Pop territory, and it’s the EP’s most grounded moment. Built around shimmering chillwave pads, it traces the soft heartbreak of a couple parting ways — not angry, not broken, just shifting paths. It’s understated and far more human than its digital DNA would suggest, and that tension makes it quietly devastating.
Then comes “Sail on Gold”, a tribute to sailors and storm-weatherers everywhere, gliding between Indie Pop and EDM. It’s windswept, propulsive, and strangely intimate — the kind of track built for festival stages but destined to hit harder during solitary listening. Its drop arrives like a lighthouse beam rotating across a dark sea: sudden, reassuring, and slightly haunting.
“Munchy Moo” is the wild card, a celebration of toddler chaos that dials up the Dance-Pop and Synth-Pop joy. It’s bright, sugary, and proudly uncool — which ends up being its biggest charm. SonicNeuron uses digital processing to mimic childish laughter and percussive playfulness, and somehow it works; it’s the EP’s grin in musical form.
Closer “10k Miles” is the most ambitious track, functioning like a world-music travelogue hopping from London to Tokyo through Dubai and Chennai. It’s expansive yet cohesive, stitched together with melodic motifs that evolve as the imaginary journey unfolds.
With Movements In Hope, SonicNeuron proves that AI-assisted music doesn’t need to be cold or conceptual. It can be warm, borderless, and deeply human — a reminder that the future doesn’t replace emotion; it amplifies it.
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We Speak Music
Michele Ducci teases new album with uplifting indie single ‘Woman Like You’
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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