We Speak Indie Artist
Spike Lee Host 30th Anniversary “School Daze” at the Fox Theater Which Brought Out Many HBCU Students and Alumni
Thirty years ago this month – right when “A Different World” had debuted, but a generation before “The Quad,” Atlanta-born filmmaker Spike Lee introduced a large portion of the culture to black colleges with his landmark film, “School Daze.”
“Today, 30 years later, people still come up to me and say, ‘Spike, you are the reason I went to a black school. I didn’t even know there were black schools. You are the reason I went to college. You the reason I am in this job,” Lee said. “That film really changed people’s lives.”
Lee, a 1979 graduate of Morehouse College, was in Atlanta Monday for a special anniversary screening of the movie at the Fox Theater.
Atlanta Mayor Keisha Lance Bottoms presented Lee with a Phoenix Award, one of the city’s highest civic honors.
Lee called Presidents Day “Barack Obama Day.”
“School Daze,” when it debuted in 1988, told of a homecoming weekend at the fictional Mission College in Atlanta.
The film, which was shot in Atlanta around the Atlanta University Center, was one of the first modern features shot in the city that has become a Southern Hollywood.
This weekend’s blockbuster, “Black Panther,” was shot in Atlanta.
Fresh off his feature debut, “She’s Gotta Have It,” Lee’s “School Daze,” tackled several controversial issues that had been otherwise self-contained as interior problems within the black community like class, gender, sex and ethnicity.
Over one weekend at Homecoming, students at Mission College addressed South Africa apartied and political activism, the politics of skin color and hair texture, sexual violence and indifference, and Greek life and hazing.
All set to music.
One of the driving narratives in the film is the conflict between the light-skinned “Wannabees” and the dark-skinned “jigaboos.” Two weeks after filming started, Hugh Morris Gloster the then-president of Morehouse College kicked the production off campus – in part, because he feared that the film would air, “dirty laundry.”
“The sad thing is that some of the stuff we were addressing in the film was happening to us,” Lee said.
We Speak Hip-Hop
NY Rapper Kendu 718 Defines “Gritty” (Single & Exclusive Interview)
Kendu 718 is taking over the scene with his latest single “Gritty,” produced by Juxx Diamondz of Back Block Music Group LLC. The NY rapper shows off his signature blend of storytelling and lyricism woven with slick metaphors. He’s simply writing bars and putting out heat; his deliverance though is aggressive and slightly intimidating; true NY style. Stream “Gritty” and get to know Kendu 718 in the interview below.
MJ: Before we jump into your new single “Gritty,” take a moment to let the world know who Kendu 718 is.
Kendu 718: Kendu 718 is someone who really lives what he talks about. I come from the pain of the ghetto—both my mother and father struggled with drug addiction, and growing up, all I saw was crime, poverty, and hardship. That was my environment. But through God’s grace, I was able to change my life. I left the streets behind 17 years ago, and I’ve been clean and abstinent from drugs and alcohol ever since.
MJ: When I think of gritty New York Hip Hop, you fit the mark. Define your lane in Hip Hop.
Kendu 718: I’m part of the culture, this isn’t something I picked up, it’s something I’ve lived. Hip-hop is a lifestyle, not just something you do in the studio. I’m not chasing trends or trying to fit into what’s popular. I represent authenticity, experience, and real New York energy. I’ve been doing this for years, and my lane is staying true to the essence of the culture.
MJ: Let’s talk about the new single “Gritty.” What can listeners expect once they hit play?
Kendu 718: The truth. Straight up. Real-life stories that reflect what I’ve been through and what I’ve seen in the streets. It’s raw, it’s honest, and it shows survival. When you hit play, you’re stepping into reality—no gimmicks, no filters. “Gritty” is my story. It’s everything I lived and everything I witnessed. But more importantly, it’s a message—just because we come from struggle doesn’t mean we have to stay there. We can grow, change, and build responsible, productive lives.
MJ: How did you link up with Juxx Diamondz and Back Block Music Group LLC?
Kendu 718: That connection goes back. I met Juxx through a mutual friend—rest in peace to the OG Benny Hill from Harlem, who managed both of us around 2011–2012. That foundation built real chemistry, and from there, everything developed naturally.
MJ: Can audiences anticipate a visual to “Gritty?”
Kendu 718: Definitely. Me and Juxx Diamondz are currently putting the treatment together now. The visual is going to match the energy of the track—raw, authentic, and true to the story.
MJ: What is next for Kendu 718? What are you currently working on?
Kendu 718: Right now, I’m working on my EP titled From God’s Mouth to Y’all Ears: The Sermon. It’s produced by myself and Juxx Diamondz, with additional production from SaulyOBeats, SkullzAngels, and my guy Dreadful Krueger. Everybody brought heat to the project. We also have some dope features on it.
MJ: Give audiences a little more insight into the sound and movement behind the project.
Kendu 718: We’re putting this out independently through Back Block Music Group, with distribution through Roc Nation. The project is a combination of strong lyricism, real-life storytelling, and powerful features. We represent that golden era sound—we’re keeping that foundation alive. And we’re always boots on the ground, staying connected to the people and the culture.
MJ: Let everyone know where they can find your music and stay connected.
Kendu 718: You can find my music on all digital streaming platforms. Follow me @Kendu_718 on Instagram to stay locked in. This is just the beginning—it’s going to be a hot summer. Peace.

Stream “Gritty” on preferred platforms – Gritty
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