Connect with us

We Speak Entertainment

‘Black Klansman’ thriller in the works from Jordan Peele & Spike Lee — true story of man who infiltrated the KKK

Published

on

Getty Images

It will tell the true story of Ron Stallworth, a black man who infiltrated the KKK.

John David Washington, son of Denzel Washington, who stars in HBO’s Ballers, is in talks to star in the thriller which is set to begin production this fall.

Lee will direct and produce. Peele will also produce. Sean McKittrick, Shaun Redick and Raymond Mansfield of QC Entertainment and Jason Blum of Blumhouse Productions are also producing.

According to The Hollywood Reporter, who broke this news, the project will tell Washington’s story who “in 1978 answered an ad in the local newspaper seeking new Klan members. He not only gained membership, but rose through the ranks to become the head of the local chapter. Stallworth, who is black, was able to gather all sorts of intelligence by pretending to be a white supremacist on the phone or via other forms of correspondence but sent a white fellow officer in his place for any in-person meetings. During his undercover work, Stallworth managed to sabotage several cross-burnings and other activities of the notorious hate group.”

Stallworth wrote a book in 2014, titled Black Klansman, on his experience, and it is not connected to the 1966  Blaxploitation film of the same name.

While it seems like this is a story adapted from current events, THR says Lee and Peele have been working on this for two years now.

We Speak Entertainment

“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude

Published

on

On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.

Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.

Between the Spotlight and the Shadows

Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.

Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.

Sound as Atmosphere, Silence as Language

Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.

Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.

Tracklist

  1. showgirl
  2. movie star
  3. bayou st. john
  4. to love is to perform
  5. candy
  6. blackbird
  7. spinster
  8. a love noir
  9. costume
  10. curtain call

A Quietly Powerful Artistic Statement

What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.

There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.

Defining Her Own Space

In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.

With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.

As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.

Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube

For inquiries: jadadilarosa@yahoo.com

Continue Reading

Trending