We Speak Music
Staring At Success: Lenox Hills Elevates Their Sound with Staring At The Sun EP
Lenox Hills, the Tennessee-based rock quartet, has officially elevated their game with the release of their third EP, Staring At The Sun. Released through The Orchard, this EP signifies a major creative milestone for the band, whose evolution in sound and emotional depth is apparent in every note.
Fronted by brothers Luke (vocals) and Packy Mullin (guitar), alongside Kyle Swenson (drums) and Kameron Dunn (bass), Lenox Hills has consistently delivered music that is both raw and heartfelt. Their distinct blend of raucous rock infused with emotive storytelling has carved out a niche for them, resonating deeply with fans who appreciate music that feels both broad in its appeal and intimate in its delivery.
The title track, “Staring At The Sun,” is a clear standout and has quickly become a fan favorite. It’s easy to see why; the song, described by the band as a “slow burn,” starts off with a mellow, almost reflective tone before building into a powerful and cathartic crescendo. The lyrics are relatable, and the hooks are undeniably catchy, making it a track that sticks with you long after the final chord. Luke Mullin’s vocal delivery is particularly poignant, blending a sense of vulnerability with confidence that pulls listeners into the emotional core of the song. As Luke himself notes, “It’s vibey and easy listening, but emotionally vulnerable at the same time. We feel like we nailed exactly what we were going for and said what we wanted to say.”
The creation of this track is a testament to the band’s organic and free-flowing creative process. Written and recorded at their home studio in Nashville, under the guidance of producer Logan Matheny, “Staring At The Sun” blossomed from a simple rehearsal idea into a fully realized song in just five minutes—a testament to the band’s synergy and creative intuition.
Musically, Lenox Hills walks a line between pop rock and indie rock, blending world-class production with melodies that linger in the mind long after listening. It’s a sound that would not be out of place supporting acts like Kings of Leon, Inhaler, or Dayglow, yet it remains uniquely their own.
With Staring At The Sun, Lenox Hills has crafted an EP that not only reflects their growth as artists but also positions them for bigger things on the horizon. The emotional depth and sonic sophistication of this record suggest that Lenox Hills is a band poised to make a significant impact, and this EP is their ticket to the next level.
We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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