We Speak Music
Staring At Success: Lenox Hills Elevates Their Sound with Staring At The Sun EP
Lenox Hills, the Tennessee-based rock quartet, has officially elevated their game with the release of their third EP, Staring At The Sun. Released through The Orchard, this EP signifies a major creative milestone for the band, whose evolution in sound and emotional depth is apparent in every note.
Fronted by brothers Luke (vocals) and Packy Mullin (guitar), alongside Kyle Swenson (drums) and Kameron Dunn (bass), Lenox Hills has consistently delivered music that is both raw and heartfelt. Their distinct blend of raucous rock infused with emotive storytelling has carved out a niche for them, resonating deeply with fans who appreciate music that feels both broad in its appeal and intimate in its delivery.
The title track, “Staring At The Sun,” is a clear standout and has quickly become a fan favorite. It’s easy to see why; the song, described by the band as a “slow burn,” starts off with a mellow, almost reflective tone before building into a powerful and cathartic crescendo. The lyrics are relatable, and the hooks are undeniably catchy, making it a track that sticks with you long after the final chord. Luke Mullin’s vocal delivery is particularly poignant, blending a sense of vulnerability with confidence that pulls listeners into the emotional core of the song. As Luke himself notes, “It’s vibey and easy listening, but emotionally vulnerable at the same time. We feel like we nailed exactly what we were going for and said what we wanted to say.”
The creation of this track is a testament to the band’s organic and free-flowing creative process. Written and recorded at their home studio in Nashville, under the guidance of producer Logan Matheny, “Staring At The Sun” blossomed from a simple rehearsal idea into a fully realized song in just five minutes—a testament to the band’s synergy and creative intuition.
Musically, Lenox Hills walks a line between pop rock and indie rock, blending world-class production with melodies that linger in the mind long after listening. It’s a sound that would not be out of place supporting acts like Kings of Leon, Inhaler, or Dayglow, yet it remains uniquely their own.
With Staring At The Sun, Lenox Hills has crafted an EP that not only reflects their growth as artists but also positions them for bigger things on the horizon. The emotional depth and sonic sophistication of this record suggest that Lenox Hills is a band poised to make a significant impact, and this EP is their ticket to the next level.
We Speak Music
Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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