We Speak Music
Stefski & Hutch Aren’t ‘Selling Lies’ In Debut Album
Buckle up, rockers! The world might have taken a few hits, but Stefski & Hutch are here to remind us that the power of rock music can never be extinguished. Their debut album, ‘Selling Lies’, dropped on April 26th, and it’s about to blow your speakers and your mind!
Picture this: a musical rollercoaster of riffs, grooves, and melodies, all wrapped up in a deliciously alternative cocktail of genres. From funk to metal, soul to psychedelia, and everything in between, “Selling Lies” is a sonic journey through the landscape of contemporary rock music. Critics are already struggling to put Stefski & Hutch in a box, comparing them to the likes of QOTSA, The Black Keys, and Alter Bridge. But trust us, they’re in a league of their own.
Lead singer Stefski commands the stage with his powerhouse vocals, while Hutch’s masterful guitar work adds layers of depth and intensity to every track. And let’s not forget about Maciej Duszak, the solid drummer who keeps the rhythm tight and the energy high.
But what sets Stefski & Hutch apart is their fearless approach to songwriting. ‘Selling Lies’ is a manifesto for our times, tackling themes of truth, freedom, and the human experience with unapologetic honesty. Tracks like “Not in my Name”, “Freedom of Speech”, and “Spine of Men” hit hard with their poignant lyrics and infectious hooks.
And just when you think you’ve got them figured out, they hit you with a curveball. “It’s Forever”, the second single from the album, is a twisted grungy waltz that defies expectations and demands repeat listens.
So what are you waiting for? Dive into the madness and experience the raw power of Stefski & Hutch for yourself. Just push play and let the rock apocalypse begin!
We Speak Electronic
Reece Rosé Bottles the Feeling on “Misbehaving”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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