We Speak Music
Maur Kii Drops New EP “MAURNB: THE YEAR WAS”

View Park Records’ Maur Kii has had a busy 2024. He kicked off the year with an album, BIRTHDAY PACK: WELCOME TO 7. The music sensation is now back to close out the year with a new EP, MAURNB: THE YEAR WAS. The six-track EP is R&B-focused, borrowing from various eras and subgenres of R&B. Maur Kii cleverly and strategically arranged the songs on the EP to tell a story and its parts. The overall story is based off an interaction between Maur Kii and a woman.
The EP opens with the track, “STREETS.” The song is a chill, sleek record that has a modern R&B sound. The song depicts the initial interaction between Maur Kii and the women that is the subject of the EP’s story. Track two, “4 THE WEEKEND,” continues with the vibe of the previous record, but incorporates a more Hip-Hop/Rap sound. The track features renowned music artist Wontel. The song discusses Maur Kii courting the female love interest and his admiration for how hard-working the woman is. The next song, “NAKED,” has a unique arrangement and an eclectic beat yet still brandishes Maur Kii’s captivating R&B sound. The record dives into the internal conflict that the woman is feeling towards her new love interest, Maur Kii, and her current significant other. The end of the record marks the end of her current relationship.
The EP moves onto “DEEPER.” “DEEPER” goes deep into the lovemaking. It is a sensual, sultry record that touches upon the love/lust. The song features rising star Afterdrk (and appropriately so, given the topic of the song and the artist’s name). “OPTIONS,” the penultimate song, is up next. “OPTIONS” is a song that served as a lead single for the EP; however, Maur Kii altered the EP version of the song a bit. “OPTIONS,” on the EP, has an intro. The track has a swaggy vibe yet is a vulnerable piece. The song features budding music artist Randy White. The song is about how Maur Kii has options and him being honest to the woman, letting her know what she’s getting into. The track provides an intricate and intimate discussion about indecision, communication, and other topics that deal with love and relationships. The EP ends with the story’s end. “WHO CRIES IN A MAYBACH?” is a wavy record with dark tones. The romance and honeymoon phase seem to have faded. The song tries to reckon how the fun and extravagance weren’t enough to make the woman happy and the relationship last.
MAURNB: THE YEAR WAS is a terrific body of work from top to bottom – from the storytelling to the vocals to the production. The EP is perfect for all listeners, but especially great for fans of PARTYNEXTDOOR, Travis Scott, and Fridayy. MAURNB: THE YEAR WAS demonstrates why the year was Maur Kii’s.
Follow Maur Kii on Instagram: https://www.instagram.com/musiciskii.
This review was made possible by SubmitHub.
We Speak Music
Naomi Aguilera casts her spell with her new single BB ILY
Two years ago, Naomi Aguilera walked onto my radar with EGO, an infectious soulful pop debut that made it impossible not to move. Fast forward to her debut EP Mosaïques, and it was clear she wasn’t just passing through. Personal, colorful, rooted in her Spanish heritage & Brussels upbringing, it even earned her a spot as Apple Music Benelux’s Up Next artist!
Now she’s back with BB ILY, marking the start of a new era. The bilingual single — French and English — is built around one of the most universal human experiences: that special connection that doesn’t need translation. Where EGO invited you to forget your ex on the dancefloor, BB ILY pulls you somewhere more intimate: with sultry beats courtesy of Turana, it’s a dance where gestures, whispers, sighs and the sound of a voice matters more than the words that come out of it… It’s sensual, a little mystical, and entirely her own.
First taste of Naomi Aguilera’s upcoming project Ojalá, due in 2027, it feels effortlessly catchy. This is the kind of track that casts its spell quietly, with interesting and unexpected rhythmic shifts in the verses, and a delicious chorus that lodges itself in your head before you even notice. By the time you do, it’s too late. But you won’t find me complaining about it!
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