We Speak Music
Stumbleine crafts a dramatic and poignant web of sound with ‘Catastrophette’!

Catastrophette is the third single from ‘Deleted Scene’, the 8th album by UK producer Stumbleine (aka Peter Cooper).
Deleted Scene, overflows with beautiful nostalgia-tinged electronica. The album is steeped with cloud-like beauty, with opener and recent single I Can Stop Anytime I Like fusing addictive sampled vocals with soft, glassy guitars, as if a reflecting pool of the listeners’ memories.
Elsewhere on the album, Ursa Minor Sleeps Forever is fittingly sleepy, circling soft slow synth arpeggios in a dreamy haze, a sound built upon by Somnia to an epiphany-like string bed, never straying too far from Stumbleine’s serene haven of melodic grace, while on Catastrophette, Stumbleine crafts a more dramatic and poignant web of sound, as if running through the memories created by the rest of Deleted Scene.
On Catastrophette, the final album track, snippets of rnb vocals ebb and flow over a backdrop of guitar and strings, interspersed with dreamlike passages of spoken words.
‘Stumbleine’ is the alias of Peter Cooper. With roots in the UK post rock scene, the reclusive producer began blending slow dream-like pop with fractured lo-fi beats as Stumbleine in 2012. Melancholic rnb vocals ebb and flow above submerged guitar ballads. Sand blasted samples intertwine with broken beats to create music with a nostalgic fragile warmth. Stumbleine is known for a DIY ethic, releasing music directly to fans or via the independent label Monotreme Records.’
The new album as a whole is an escape to a dream-state of Stumbleine’s making, captivating, yet familiar, and completely enveloping. According to Peter, “Deleted scene refers to the memories that play over and over inside your own head, replaying hazy copies of hazy copies that evolve into a bittersweet fever dream. Everybody has their own unique collection of deleted scenes slowly distorting and fading away.”Deleted Scene will be released on June 14th digitally, as a CD in a colour printed slipcase cover and as a limited vinyl edition of 300 copies on 180 g white vinyl, which can be pre-ordered here: https://monotremerecords.limitedrun.com/products/776439

We Speak Music
Naud Takes Flight with ‘Un Gars Bian’: A Wild Ride of Music & Madness
Photo credit: Isis Mecheraf

After ten years of musical mischief, Naud has finally dropped anchor, or rather taken flight, with Un Gars Bian, an album that feels like a hug from an old friend and an impromptu dance party all at once. This high-energy, genre-mashing adventure blends alternative pop, electro, funk, and whatever else Naud felt like throwing into the mix. Think Marseille’s “joyous chaos” bottled up into soundwaves, bursting with playful unpredictability.
Leading things off is “Déjà Vu,” a sweet-and-sour love song about a romance that spanned across Europe but never quite took off, kind of like booking a first-class ticket to heartbreak. It’s got just the right mix of experimental vibes and catchy pop magic to make you groove while overthinking your past relationships.
The album title, Un Gars Bian, is a cheeky play on words, merging Marseille (city in France) slang for “seagull” (gabian) with “un gars bien” (a nice guy). It’s basically Naud in a nutshell: a free-spirited, big-hearted artist who wants to spread good vibes, reckless creativity, and a touch of joyful madness. And if that wasn’t enough, he’s also launched an Un Gars Bian t-shirt line, because what’s better than wearing your philosophy on your sleeve, literally? Grab yours here!
So, are you ready to embrace the joyful chaos? Un Gars Bian is the perfect excuse to dance like nobody’s watching and live life with a little more mischief. Let’s gooo!
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