We Speak Music
SunSkip Finds Beauty in the In-Between on “Sincerely”
SunSkip, the songwriting project of Sean Maljanian, returns with “Sincerely,” a single that feels quietly confident in its evolution. Where his earlier EP Smoke and Mirrors leaned into restraint and introspection, this new release opens the doors wider, embracing motion, texture, and a gently propulsive alt-country undercurrent. It’s a song that still values intimacy, but now allows itself moments of looseness and joy, signaling an artist comfortable with growth rather than reinvention for its own sake.
At the heart of “Sincerely” lies its narrative: a correspondence between John and Sue that reveals the emotional undercurrents of aging, distance, and enduring connection. Maljanian’s writing is patient and unshowy, allowing the weight of the story to emerge through implication rather than dramatics. There’s a quiet dignity in how the song captures the beauty of the mundane, reminding us that life’s most resonant moments often unfold between the lines.
Musically, the track thrives on experimentation. Guided by producer Kory Burrel, “Sincerely” incorporates unconventional percussive elements—bottles, cardboard boxes, and other found sounds—that inject a sense of unpredictability into the arrangement. The resulting soundscape feels communal and alive, evoking the warmth and chaos of a late-night saloon while never losing sight of the song’s emotional core. Burrel’s multi-instrumental work, alongside Colum Enrique’s drumming, enhances the storytelling rather than distracting from it.
Vocally, Maljanian delivers a performance marked by warmth and restraint, navigating the song’s emotional terrain with clarity and grace. Every layer feels purposeful, building an immersive experience that balances reflection with release. With “Sincerely,” SunSkip reaffirms the power of narrative-driven songwriting, proving that folk-inspired music can be both thoughtful and adventurous. It’s a release that quietly cements Maljanian as a compelling voice within the contemporary indie folk and alt-country landscape.
We Speak Music
JOHN CLAYTON CELEBRATES FAMILY, COLLABORATION AND JAZZ TRADITION ON HIS EIGHTH ALBUM, THE TWO-O DUO PROJECT
One of Los Angeles’ treasured bassists, composers and bandleaders, John Clayton, returns with his eighth album, The Two-O Duo Project, an intimate and inventive recording that brings together three remarkable musicians: Clayton, acclaimed vocalist René Marie, and his son, celebrated pianist and composer Gerald Clayton.
Built around the idea of musical conversation, The Two-O Duo Project explores the possibilities of the duo format while celebrating the unique relationships between its performers. Across the album, John Clayton moves between duo collaborations with René Marie and Gerald Clayton, creating a collection that feels both deeply personal and musically adventurous. The project also features several trio performances, allowing the three musicians to come together and expand on the ideas developed throughout the recording.
René Marie brings her distinctive combination of soul, blues and expressive storytelling to the project. Her performances on the rich interpretation of “Blue Bayou” and the relaxed, blues-inflected “Beautiful” showcase her ability to move effortlessly between intimacy and strength. On “On The Day You Were Born,” Marie adds poetry and spoken expression, while the “Smile Medley” finds her swinging alongside John Clayton. She also brings a spiritual depth to “Come Sunday” and a striking, earthy intensity to “Somewhere Over The Rainbow.”
Gerald Clayton brings a different kind of musical chemistry to the album. His playing on “Some Other Time” is fluid and understated, while his original composition “Forth” highlights his graceful, highly individual approach to the piano and overdubbed keyboards he plays. With “En La Orilla Del Mundo,” father and son explore the poignancy of this beautiful song, John, playing the melody with his bow and Gerald, employing the sensitive touch he learned from mentors like Kenny Barron.
The recordings offer a rare opportunity to hear father and son in a setting that strips the music down to its essential elements: listening, interaction and trust.
For John Clayton, the album represents both a long-awaited reunion and the beginning of a new collaboration.
“My son, Gerald, and I haven’t done a duo recording in many years. I have never done a recording project with René Marie, though we’ve talked about it many times. So, I decided to have and eat my cake. This was my chance to record duos with two of my favorite people. Since we were all there, hanging out on the same day, why not do a few trio things as well? And so, we gave birth to The Two-O Duo Project.”
That spirit of spontaneity is at the heart of the album. Rather than approaching the sessions as a conventional leader-and-guest project, Clayton created an environment where each musician could bring their own voice and respond naturally to the others.
The result is an album shaped by family ties, friendship and decades of musical experience, moving comfortably between jazz standards, original compositions, vocal interpretations and intimate instrumental exchanges.
The Two-O Duo Project was recorded at Clear Lake Recording Studio in North Hollywood, California, and engineered and mixed by Joel Moss and Steve Generwick.
With his eighth album, John Clayton continues to demonstrate why he remains such an important voice in the jazz community. The Two-O Duo Project is not simply a collection of duets—it is a celebration of musical connection and the special chemistry that emerges when artists listen as deeply as they play.
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