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Pembroke Tenneson Isn’t Afraid To Have A Bit Of Fun With Rock ’n’ Roll

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What happens when a guitarist decides to write the most brazen rock song he can think of? In Pembroke Tenneson’s case, the answer is “Sex Appeal”.

The title says plenty, but the song goes considerably further. Tenneson throws himself into a world of self-praise and outrageous confidence, with one boast following another. It is cheeky stuff, but there is a real affection for the music behind the joke.

Tenneson has talked about his love of the early-1970s rock sound that inspired the track, and that comes across in the attitude of the performance. He is not trying to make the song subtle. He wants the guitars, vocals and lyrics to have some swagger.

The best thing about “Sex Appeal” is that the humour never takes over completely. There is a brilliant rock song underneath all the showing off, and Tenneson clearly cares about making it sound authentic as well as making people smile.

That makes this an appealing introduction to his forthcoming material. “Sex Appeal” is the first of 14 original songs he has been developing, so there is plenty more on the way to look forward to.

For now, though, Tenneson has picked an entertaining way to reintroduce himself as an artist. “Sex Appeal” has attitude, a catchy refrain and enough cheek to make it stand out. Stream below (via Now Listen):

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Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’

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For Phoebe June, some stories are easier to tell through music.

Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.

Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.

At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.

Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.

The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.

Across six tracks, the EP develops that story in sequence.

‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.

‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.

The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.

The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.

Even the title reflects that feeling.

‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.

Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.

She wants listeners to recognise themselves in it.

‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.

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