We Speak Music
Teen Creeps release third studio album and new video
TEEN CREEPS just dropped their third studio album, ‘TODAY IS THE DAY’. Alongside the album release, the band have also dropped new single ‘ANYWHERE’. It’s their most anthemic song yet and bears resemblance to the energetic Springsteen-goes-punk sound of JAPANDROIDS. When singer Bert Vliegen screams out “I’m not going anywhere”, he’s talking about his band.
Bert: “When we started writing the new album, I kind of suffered from writer’s block. Until we celebrated our 10 year anniversary as a band. It made me realize how much I enjoy playing with these guys, even after all those years. It inspired me to write this song about our band, what it has meant to me and what it still does. Basically, ‘ANYWHERE’ is about finding something you love and taking pride in it. I hope it inspires confidence and energy in whoever hears it.”
We Speak Music
Unethical Dogma Pull Back The Dark Curtain For A Carefully Engineered Descent into Technical Melancholy
Unethical Dogma return on Behind The Dark Curtain feels less like a standalone EP and more like the final act of a deliberately constructed psychological arc. Across its runtime, the band commits fully to its horror-driven narrative framework, closing the conceptual thread that began with DUSK. The result is a release that feels cohesive, intentional, and structurally disciplined rather than loosely assembled.
Instrumentally, the EP leans heavily into polyrhythmic complexity and tightly wound djent grooves, but what stands out most is how often the band resists pure technical display in favor of atmosphere. Piano passages and choral textures are not ornamental—they function as emotional anchors, giving the heavier sections a sense of collapse rather than just aggression. The contrast between brutality and fragility is handled with noticeable care.
The vocal performance is equally dual-layered. Screamed vocals carry the narrative’s psychological deterioration with intensity, while clean vocals are used sparingly to emphasize moments of reflection or detachment. This dynamic avoids predictability by making restraint as important as force, especially in transitions where the story shifts perspective.
Lyrically and conceptually, the EP benefits from its unusual writing process, which begins with short stories before being translated into music. That foundation is audible in how scenes unfold rather than verses simply progressing. The storytelling feels cinematic, as if each track is a chapter viewed through unstable memory.
Overall, Behind The Dark Curtain succeeds most when it trusts its atmosphere over its technical ambition. It is a dense, carefully designed work that prioritizes immersion, and while it demands patience, it rewards listeners who engage with its narrative structure rather than just its surface complexity.
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