We Speak Music
THE MIRACULOUS LOVE KIDS PRESENT ‘I WON’T BACK DOWN’ FEATURING BLAKE SHELTON, JOE WALSH, TIMOTHY B. SCHMIT & MATT SORUM

The fall of Afghanistan to the Taliban on August 15, 2021, continues to resonate and claim new victims. At the end of 2022, the group banned women from working in local and foreign non-governmental organizations (NGOs). No one can say how much worse the oppression against women and girls in the country will get, but it doesn’t look good.
For members of THE MIRACULOUS LOVE KIDS — a non-profit, 501(c)(3) organization that served as Afghanistan’s only school of music for war-torn, poverty-stricken girls and young women until August 15, 2021 — the arrival of the Taliban changed everything. The guitar lessons, the recordings, the videos, and the hope for a better life — all gone in a flash. Their instruments destroyed, their dreams shattered, these post-9/11 children had never experienced the harsh rule of the Taliban in their lifetime. It was a disruption like no other.
LANNY CORDOLA, the group’s American founder and director, managed to catch the last commercial flight out of Kabul not knowing what was in store as he had already booked the fare to Pakistan to renew his visa before the Taliban moved in. He immediately went right to work, relentlessly chasing every possibility he could to get his students and their families out of Afghanistan.
After nine months of dealing with rescue agencies, special operation teams, self-styled mercenaries, layers of bureaucracy and tons of red tape, Cordola was able to provide safe passage for his girls and their families out of Afghanistan and into Pakistan. It was a perilous journey from Kabul to Islamabad.
Like its neighbor, Pakistan is in the grips of social unrest, political upheaval, and economic instability. There’s also widespread discrimination against Afghan refugees, who are routinely harassed and made to feel unwelcome. While they’ve been able to resume their musical endeavors to a certain extent and avoid the rule of the Taliban, THE MIRACULOUS LOVE KIDS are still refugees who need a place to settle down and call home. In their quest for freedom, prosperity, and happiness, they won’t back down. And neither will Cordola and the group’s numerous supporters.
To show their commitment and underscore how far they’ve come, THE MIRACULOUS LOVE KIDS have recorded a version of TOM PETTY’s “I WON’T BACK DOWN.” Joining the MLKs is country superstar BLAKE SHELTON, along with three members of the distinguished ROCK & ROLL HALL OF FAME: guitarist JOE WALSH and bassist TIMOTHY B. SCHMIT of THE EAGLES, plus drummer MATT SORUM of GUNS N’ ROSES and VELVET REVOLVER.
“When I was working to get the girls out of Afghanistan, ‘I WON’T BACK DOWN’ became our anthem to never give up no matter what the circumstances or odds in our pursuit of freedom, justice, equality, and peace,” Cordola recalls. “It’s not only for the girls and women of Afghanistan but for all oppressed people of the world. As Tom Petty so powerfully wrote, ‘You can stand me up at the gates of hell but I won’t back down…’”
Joe Walsh shares: “May music always bring you girls the inspiration and connection to a higher power that delivers you strength and joy. I’m grateful to have shared this moment with you all. Peace and love.” “Congrats on the wonderful work you are doing for these girls,” Marjorie Bach, Walsh’s wife, adds. “Service to others is the key to a blessed life.”
Timothy B. Schmit recognizes the power of music in bringing hope to those in despair: “Lanny is a saint for being a part of these girls’ lives by helping them move forward through music. Even after all they’ve experienced in their young lives, you can see and feel their beautiful life forces shining through.”
Echoing the sentiment, Matt Sorum sees how the experience of making music is a healing force for the MLKs. “I’m so proud of my longtime friend Lanny as he has shared the gift of music with these wonderful young girls that have been through so much,” he says. “The joy they feel playing music gives them much needed hope to persevere. They are an inspiration to us all. Please help them with their endeavors to relocate and spread their message of peace and love around the world.”
For Lanny Cordola & The Miraculous Love Kids, the continued support for their journey to freedom helps in keeping them motivated to move forward. “The girls and I are honored to have Blake, Joe, Timothy and Matt join us in spreading this message far and wide,” Cordola says. “Hopefully their involvement will bring more awareness about Afghan refugees like the girls and their quest for a better life.”
***
“I WON’T BACK DOWN”
THE MIRACULOUS LOVE KIDS – guitars & vocals
BLAKE SHELTON – vocals
JOE WALSH – guitar solo
TIMOTHY B. SCHMIT – bass
MATT SORUM – drums
GARY GRIFFIN – keyboards
DAVE PEARLMAN– pedal steel
CHAD SHLOSSER – guitar
Produced by LANNY CORDOLA and SARMAD GHAFOOR
Mixed by CHAD SHLOSSER
Video filmed in Kabul, Afghanistan; Islamabad, Pakistan; Los Angeles and Nashville
Video directed by LANNY CORDOLA
Edited by SHAM KAZMI
Special thanks to SCOTT HENDRICKS, JOHN GREENBERG, SHAWN PERRY, MARK LEVINE, TOM MORELLO, TODD SHEA, LUDO VAN VOOREN, JEFF PETERS, PAUL GOLDSMITH, NEIL WILLIAMS, DEBBIE AND GLENN BICKERSTAFF, LEE METZGER & TOM RITTENHOUSE
***
THE MIRACULOUS LOVE KIDS have captured the world’s attention through their musical collaborations with such luminaries as BRIAN WILSON, SAMMY HAGAR, TOM MORELLO (RAGE AGAINST THE MACHINE, AUDIOSLAVE), RAMI JAFFEE (FOO FIGHTERS), KATHY VALENTINE (THE GO-GO’S), VICKI PETERSON (THE BANGLES), CHERIE CURRIE (THE RUNAWAYS), WAYNE KRAMER (MC5), KRIS MYERS (UMPHREY’S MCGEE), and many others.
The group has also garnered a respectable amount of press coverage by such high-profile outlets as the BBC, ROLLING STONE, TMZ, CBS, and SPIN. ABC’s ‘GOOD MORNING AMERICA 3’ did an in-depth exposé on THE MIRACULOUS LOVE KIDS, which featured actor, musician, and supporter KIEFER SUTHERLAND praising the group’s efforts. “It’s just amazing to see these young children who have been through poverty and war and families being torn apart — that they can find joy and a desire to learn, and positive aspects of their lives through an incredibly difficult time. It’s moving and it’s inspiring.”
LANNY CORDOLA began his journey through Pakistan and Afghanistan in 2010, collaborating with musicians on a peace-through-music project. “After visiting and meeting many kids who were living in poverty-stricken areas and conflict zones, I decided to raise funds on their behalf,” the musician recalls.
Since then, he has focused on musical projects aimed at raising awareness, resources and funds for some of the most vulnerable children in Pakistan and Afghanistan. In the wake of his work in these regions, he formed his own non-profit, 501(c)(3) organization called THE MIRACULOUS LOVE KIDS, based on the premise that “it shouldn’t hurt to be a child” and “that a kid with a melody in their heart has hope, and with hope all things are possible.”
On September 8, 2012, sisters PARWANA and KORSHID were killed by a suicide bomber in Kabul, Afghanistan. The intended target was U.S. military forces. According to the troops who were there, the sisters sacrificed their own lives to save them.
During a visit to the region in 2014, LANNY met with the sisters’ family, including their younger sibling MURSAL, who had survived the attack. The family was living in absolute squalor, but when MURSAL saw the guitar that constantly accompanies LANNY, she brightened up and asked if he would teach her to play so she could honor her sisters and other girls living in similar conditions. And with that, THE MIRACULOUS LOVE KIDS/GIRL WITH A GUITAR was born.
In February 2016, LANNY moved to Kabul, Afghanistan, where he taught guitar, English, and other life skills to hundreds of mostly girls at THE MIRACULOUS LOVE KIDS Studio until August 2021.
To learn more, please go to the following links:
THE MIRACULOUS LOVE KIDS WEBSITE: miraculouslovekids.org/
THE MIRACULOUS LOVE KIDS FACEBOOK: facebook.com/Themiraculouslovekids
LANNY CORDOLA FACEBOOK: facebook.com/lanny.cordola
EMAIL ADDRESS: lcordola19@gmail.com
ABOUT LANNY CORDOLA
Born and reared in Los Angeles, California, LANNY CORDOLA’s musical journey has led him on many global explorations — from club gigs up and down the Sunset Strip to tours of North America, Mexico, Europe and South Asia. He has shared musical communion on stage and in the studio with members of THE BEACH BOYS, GUNS N’ ROSES, NANCY SINATRA, ETTA JAMES, LITTLE MILTON, VANILLA FUDGE, DONOVAN, and others.
We Speak Music
Mutual Shock’s Nervous Systems Showcases The Architecture of Alienation

Seattle’s ever-shifting musical landscape has long given rise to voices that thrive in the gray areas—between genres, between moods, between identities. Dan Powers, the artist behind Mutual Shock, adds a new entry into that canon with Nervous Systems, a debut album that operates as both sonic exorcism and sociocultural diagnosis. At its core, the record is a meditation on life under late capitalism—a terrain where dread, detachment, and digital blur are not just thematic textures, but everyday conditions.
Emerging from the shadowy emotional terrain explored on his 2024 EP Stimulus Progression, Powers takes his vision further here—not louder, but deeper. Nervous Systems doesn’t seek to overwhelm. Instead, it seeps in. It’s less an album you “hear” and more one you slowly inhabit, like a strange new architecture that reveals its structure room by room. The choice of analog synths and skeletal drum programming isn’t retro affectation; it’s a design choice rooted in feeling, in tension, in deliberate control.
Mutual Shock sits in conversation with a lineage of outsider electronic music—Drab Majesty’s theatrical alienation, Molchat Doma’s post-Soviet nostalgia, the mechanized introspection of Nine Inch Nails—but avoids being pinned down by any one aesthetic. Powers is less interested in genre homage than he is in emotional architecture. Each sound feels like a corridor leading somewhere disorienting yet familiar, like a half-remembered dream of an office building at night.
Thematically, the album is deeply of this moment. It’s about burnout, yes, but not in the way we meme it. It’s about the deeper erosion beneath the hustle: the spiritual confusion, the existential rootlessness, the constant digital hum that keeps us from ever fully arriving in our own lives. Powers channels these anxieties not with histrionics, but with careful understatement—letting the atmosphere do the heavy lifting. It’s as much sociology as it is art.
What makes Nervous Systems so vital is that it doesn’t offer escape. Instead, it offers recognition. In a time when much of culture aims to distract, Mutual Shock chooses to reflect. Powers holds a mirror to the disquiet and lets it speak—not with panic, but with precision. The result is an album that lingers long after the final note, not as a soundtrack to alienation, but as a language for it.
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