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‘The Race of Love’ movie arrives at the Cannes Film Festival

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The film has its world premiere on Friday 17 May at Cinéma Olympia

CANNES – ‘THE RACE OF LOVE’ arrives at the Marché du Film of the Cannes Film Festival. The film, a romance, is produced by Enrico Pinocci and directed by Alfio D’Agata, with an international cast: Ciara Hanna ( ‘Stars Fell On Alabama’, ‘Stars Fell Again’, ‘Power Rangers Megaforce’), Thomas Gipson (‘Love’s Fast Lane’, ‘Burning Little Lies’), Blanca Blanco (‘Eye for Eye’, ‘Betrayed’), Letizia Pinocci (‘Mission Possible’, ‘6 Children & 1 Grandfather’) and Harmony McElligott (‘You Can Do Better’,’ Life Whack’).

The protagonists of the film are James, who’s single by choice, and Judy, whose work makes her relationships difficult and complicated. After a series of coincidences that bring them together, and more than a few twists and turns, their hearts start to open to each other.

The film has its world premiere on Friday at 6pm at the Olympia 2 cinema in Cannes.

It was shot in Los Angeles and around the evocative racetracks of Vallelunga (the main location), Misano, Rio and Monte Carlo.

Thomas Gipson, Blanca Blanco, Letizia Pinocci, Vincenzo Bocciarelli and Romano Pigliacelli will be at the screening.

Movie On Pictures is at the Marché du Film for distribution agreements for the film ‘The Race of Love’, after the success of ‘Mission Possible’, which was distributed to 83 broadcasters and 40 territories.

Upcoming films are: The Strength of Love (romance) currently in production, Against Time (action crime thriller), The New Joker (action crime thriller), All Need For A Kiss (romance), The Dog of Christmas (romance), and Falling in Love in Venice (romance).

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Malhar Talwalkar Releases Award-Winning Short Film Pink Trees, Exploring Addiction, Recovery and Survival in Los Angeles

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Director and cinematographer Malhar Talwalkar presents Pink Trees, a compelling short film that takes an intimate and unflinching look at addiction, recovery, poverty, and survival in Los Angeles. Through the story of a recovering addict struggling to stay clean while living in a temporary housing motel, Talwalkar explores the difficult realities faced by individuals attempting to rebuild their lives in challenging circumstances.

Pink Trees follows Matthew “Job” Smith, a recovering addict battling for survival while living in a temporary housing motel surrounded by the harsh realities of urban poverty and crime. His journey reflects the instability and uncertainty that can accompany addiction recovery, particularly when individuals are attempting to overcome substance abuse without the security of stable housing and a supportive environment.

Rather than portraying recovery as a straightforward journey, Pink Trees examines the complicated circumstances that can influence an individual’s ability to remain sober. The film asks important questions about personal responsibility, environment, social institutions, and the systems that surround people struggling with addiction.

“With this film I tried to tackle the shaky and uncertain road of addiction recovery,” says Talwalkar. “My personal history with substance abuse and addiction made me keen to analyze how various individuals, based on their circumstances, deal with addiction and recovery and how much role institutions play in one’s goal to stay clean.”

Talwalkar’s personal connection to the subject matter brings an added layer of authenticity to Pink Trees. Instead of reducing addiction to a single cause or experience, the film considers the different circumstances that can shape an individual’s recovery and the challenges that can make staying clean an ongoing battle.

The short film has already earned recognition across the independent film festival circuit, receiving awards and honors from Indie Short Fest, Indie X Film Fest, LA Indies, New York International Film Awards™ (NYIFA), San Diego Movie Awards, Chicago Shorts, Latitude Film Awards, Independent Shorts Awards International Film Festival, Hollywood International Indie Film & Screenplay Awards, and Los Angeles Film Awards.

These accolades highlight the film’s growing impact within the independent filmmaking community and its ability to connect with festival audiences and industry professionals through its emotionally grounded storytelling.

At the center of Pink Trees is a question that extends beyond addiction itself: What does it really take for someone to stay clean when the circumstances around them make recovery so difficult? By placing Matthew “Job” Smith within an environment shaped by poverty, crime, and instability, Talwalkar invites audiences to look beyond stereotypes and consider the human and institutional factors that influence recovery.

Talwalkar is a Director and Cinematographer who graduated in the MFA Filmmaking Program at the New York Film Academy in Burbank, California. His work reflects a passion for telling meaningful stories that explore complex human experiences and socially relevant issues.

With Pink Trees, Talwalkar delivers more than a story about addiction. He creates a portrait of a person fighting to survive, recover, and find a path forward in an environment where simply staying clean can become a daily struggle.

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