Connect with us

We Speak Music

THIS IS SHIT tease second album with unstoppable rock-techno single ‘Moloko Plus’

Published

on

THIS IS SHIT are set to return for 2026 with their second album ‘ΛV’ coming on 30th October and like the slanted signs of ΛV (pronounced “lambda V”) that invert and mirror each other, this new record interlocks two aesthetics that were never meant to coexist: rock and electronic music. A formula unique to THIS IS SHIT.

Behind this graphic project with its sharply crafted artistic direction stands composer Loïc Louraco. Driven by the need not to choose between two radically different ways of creating : rock, which he has practiced his entire life, and electronic music, which he explores in parallel, he formed a hybrid creation in 2017: a trio in which he is both producer and principal instrumentalist. And thus sparked the collision between the two worlds.

A signature sound first discovered by audiences through the EPs / (“Slash”) and // (“Double Slash”) in 2018, followed by the album /// (“Triple Slash”), which concluded a first creative cycle in 2020.

After a challenging start to the decade, the artist entered a new writing phase that stretched over several months. Born from improvisations or long nights of production on Ableton, the tracks were pushed to their limits. The sound is more controlled, the album more impactful. For this new project, THIS IS SHIT chose to take production even further by collaborating with Swedish producer Hans Olsson (Division of Laura Lee).

An initial studio session in Paris allowed the three musicians to record, in a traditional rock band setting, guitars, bass, and drums. The tracks were then sent to Gothenburg, where they were reworked by the producer and director as a temporary electronic duo. The collaboration felt natural, and the results fruitful, bringing a unique coherence to this new release. Like a film soundtrack, ‘ΛV’ carries the listener from scene to scene, from emotions to sensations, from celebrations to contemplation, in a continuous, unbroken flow between tracks.

The next single to come from the album is “Moloko Plus”, featuring Johnny Longlegs. On the track THIS IS SHIT lets its rock-techno universe spill into a more pop-electro and luminous aesthetic. Melodic guitars, an unstoppable structure and a unifying energy drive a euphoric build-up toward a sense of release and renewal. A key third single that confirms the upcoming album will stand as a landmark of the rock / electro shift within the new French Touch.

Continue Reading
Advertisement

We Speak Music

Col Darcy Unveils New Single ‘Pay Up’

Published

on

Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.

That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.

‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.

The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.

What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.

Continue Reading

Trending